2018 has been a wild year for film, from wildly entertaining sequels (see Mamma Mia: Here We Go Again and Paddington 2) to Yorgos Lanthimos’ latest in dry, yet tragic, humor to a horror film featuring tongue clicking, a nut allergy, and dead pigeons. It has been year for powerful women, both in front of and behind the camera, from the women of Annihilation to Crystal Moselle and her look into the world of women skateboarders. It has been a year to interrogate representations of masculinity, from Joe in You Were Never Really Here to Reverend Toller in First Reformed. It has been a year of terror, love, laughter, and exhaustion, both literally and cinematically. The films of 2018 truly captured the strange and turbulent atmosphere that has thrown us all into a state of near-constant anxiety.
The Much Ado team has relished in this anxiety, seeing many of 2018’s best, and worst films with the help of film festivals such as Cannes, NYFF, and BFI, MoviePass (RIP), and AMC Stubs A-List. After much deliberation, Letterboxd rankings, and last-minute trips to the cinema, we present Much Ado’s top 25 films of the year.
“The greatest thing that we can do is to help somebody know that they’re loved, and capable of loving.” It’s statements like these – sweeping, painfully earnest, and deeply resonant – that characterize Morgan Neville’s latest documentary, Won’t You Be My Neighbor? The film follows the life of the late Fred Rogers, host and showrunner of the influential children’s program Mister Rogers’ Neighborhood, yet it’s not so much about Fred Rogers the man as it is about the philosophy he birthed and tried his hardest to live by through his work. Neville knows, as all documentarians should, that the best way into a person’s life is through the world they build for others. By taking this approach, Won’t You Be My Neighbor? evades all the myth-making and sentimentality that once seemed inevitable in reflecting on the life of someone as venerated and impossibly good as Rogers, resulting instead in a film overflowing with true emotion and poignant, necessary lessons for the American future.