‘Black Christmas’ Is A Loud, Rage-Filled War Cry That Begs To Be Answered

Content warning: Mentions of rape, sexual assault and violence.

It’s the most wonderful time of the year. Colorful lights sparkle and flash. Christmas trees are covered in tinsel. And underneath that tree is a messily-wrapped gift bursting with rage. That gift is Sophia Takal’s Black Christmas, a modern revision of Bob Clark’s 1974 slasher of the same name. Takal and co-writer April Wolfe take the story and bring it into the tumultuous 21st century, where women are no longer content with staying silent.

Black Christmas is centered on Hawthorne College campus and the sorority sisters of MKE. Riley (Imogen Poots) is a sexual assault survivor who, after three years, still feels the repercussions of her rape, both emotionally and socially. She tries to cover up her body as much as possible and wants to make herself small, unnoticeable. Luckily, she has her sorority sisters who support her every step of the way, never for a second doubting her.

Kris (Aleyse Shannon) is her outspoken, politically-oriented best friend who petitions against racist and misogynistic professors (Cary Elwes) and wants to fight for what’s right. She convinces Riley to perform in a fraternity’s talent show in front of Riley’s rapist in an act that blatantly calls out the disgusting attitude the brothers have around sex. But of course, these boys don’t take it well.

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Interview: ‘The Ranger’ Director Jenn Wexler Talks Punk Rock, Final Girls, and Posers

Jenn Wexler’s feature film debut, The Ranger, is a punk rock slasher that pits city-slicker punks against a nature-loving park ranger with a taste for blood. It is a film that emanates beautiful chaos, set to a screaming soundtrack that makes the film feel both timeless and so quintessentially 80s. It is unlike any slasher you’ve seen (read our review). Wexler took the time to speak with me about her first feature film, growing up in the punk rock community, and translating that experience into a horror movie.

The interview has been edited for clarity.

Much Ado About Cinema: Why did you want to make a slasher about punk and punk rock?

Jenn Wexler: So the idea of these punks that go up against this park ranger was originally the idea of my co-writer. We were in college together, we majored in screenwriting, and this was his senior screenplay. We didn’t know what to do with it at the time. But we workshopped all of our ideas in class and I became so attracted to the idea of punks vs a park ranger because just within that there was so much about rebellion versus authority. There’s so much you can do visually with that. Also, when I was a teenager, I used to go to a lot of punk shows. I grew up in this suburban town and I didn’t feel like I fit in at school, but I did feel like I fit in when I went to these shows. I already had this history with that world, so there was always something about this idea that I was attracted to.

Continue reading “Interview: ‘The Ranger’ Director Jenn Wexler Talks Punk Rock, Final Girls, and Posers”