Imagine, if you will, driving down a quiet country road, surrounded by greenery. As you round a corner, there is something looming ahead: a large, old house in a state of disrepair. There is something fascinating about this crumbling estate – it was once something grand and beautiful, but now shabby. You’re enchanted, mesmerized, and want to walk through its threshold to see what lies behind its doors. This is the estate at the center of director Lenny Abrahamson’s The Little Stranger, a film that seems to defy a genre label, spanning thriller, drama, romance, and supernatural. But the marketing, as minimal as it has been, makes The Little Stranger seem purely like a horror movie. Horror fans, or people looking for a horror movie, will be disappointed. Instead of ghosts, they’ll get melancholy, loneliness, desperation, and the need to hold onto the past.
The Little Stranger begins with Dr. Faraday (Domhnall Gleeson) visiting the dilapidated Hundreds Hall to check on the Ayres family’s young maid, Betty (Liv Hill). After the visit, he becomes close with the family, particularly Caroline (Ruth Wilson), as he helps her injured war vet brother, Roderick (Will Poulter). As Faraday learns more about the family, seemingly supernatural events start taking place around the house, slowly tearing the family apart.