About halfway through the second spin of the merry-go-round camera that opens Waves, you start to get dizzy enough to look away. Some classic Tame Impala reverb bounces through the background, the blues and whites of the Florida sky glow unnaturally bright, and Euphoria sweetheart Alexa Demie hangs out her boyfriend’s car window, flashing a smile. It’s a 2019 film about teenagers, baby—if you didn’t know, now you know.
Waves writer-director Trey Edward Shultz isn’t afraid to dive headfirst into this bold style, accusations of parody and sameness be damned, and his commitment pays off. With Euphoria and Thunder Road cinematographer Drew Daniels by his side, Shultz delivers over two hours of consistently stunning visual narrative, each sequence challenging and creative, yet perfectly balanced and self-assured. These visuals mesh seamlessly with an electric score by Nine Inch Nails duo Trent Reznor and Atticus Ross, as well as an overloaded soundtrack of thumping Kanye and Frank Ocean tracks. It all leads you to believe Waves could be a great movie.