The male gaze is a term often used to address and critique how male directors use the camera to portray the female body as a site/sight of desire. The term, coined by Laura Mulvey, has grown and changed over the decades to address shifting genres, new mediums, and the growth of female directors. But, the question then emerges, what about the female gaze? Is there such a thing if hegemonic ideas of film are governed by patriarchy? Celine Sciamma’s Portrait of a Lady On Fire answers that question with a loud, resounding yes.