Turkish director Nuri Bilge Ceylan’s long awaited new film The Wild Pear Tree premiered at Cannes this year. Its near 190-minute runtime might be scary for audiences that are not familiar with Ceylan’s work, but it is merely a surprise to cognizant audiences. However, the film has such a captivating flow that the viewers might not even perceive the passing of three hours – it is definitely more entertaining than his last film Winter Sleep which was also over three hours. Unlike his previous films which were decorated with elegant images of nature, The Wild Pear Tree is visually more raw; less pastoral beauty and more crooked landscapes that people live in. The shots are still representative of the director’s distinctive poeticism, and the brutal landscapes are the perfect reflections of the subject matter that is the deeply rooted in the suffocating anxiety spread across the young people of Turkey.