2018 has been a wild year for film, from wildly entertaining sequels (see Mamma Mia: Here We Go Again and Paddington 2) to Yorgos Lanthimos’ latest in dry, yet tragic, humor to a horror film featuring tongue clicking, a nut allergy, and dead pigeons. It has been year for powerful women, both in front of and behind the camera, from the women of Annihilation to Crystal Moselle and her look into the world of women skateboarders. It has been a year to interrogate representations of masculinity, from Joe in You Were Never Really Here to Reverend Toller in First Reformed. It has been a year of terror, love, laughter, and exhaustion, both literally and cinematically. The films of 2018 truly captured the strange and turbulent atmosphere that has thrown us all into a state of near-constant anxiety.
The Much Ado team has relished in this anxiety, seeing many of 2018’s best, and worst films with the help of film festivals such as Cannes, NYFF, and BFI, MoviePass (RIP), and AMC Stubs A-List. After much deliberation, Letterboxd rankings, and last-minute trips to the cinema, we present Much Ado’s top 25 films of the year.
Continue reading “Best Films of 2018”
Sometimes, before watching a new film, there’s a murky feeling that it’s going to be an intense experience. The Tale is one of those films. The HBO film follows Jennifer, played by Laura Dern, as she is forced to revisit the circumstances of her first “relationship” with an older man as a child after her mother discovers a story written by her younger self. If the premise isn’t powerful and sensitive enough, the film is based on the story written by the writer-director Jennifer Fox’s younger self at the time of her abuse. Primarily because of its plot, the film is not particularly “entertaining,” at moments even difficult, but it’s so powerful that it’s a must-watch.
Continue reading “‘The Tale’ is a Brave Story of the Mind’s Power to Shield Us from Trauma”
Female directors may have been few and far between at Cannes, with only three films directed by women in competition, but the upcoming Sundance Film Festival: London promises a refreshing change. The British iteration of the famous festival brings a condensed lineup, but women are front and centre as 58% of the films showcased are directed by women. Films starring women will also be gracing the 4-day festival including Hereditary and Eighth Grade. The festival will also host panels and discussions on the state of the film industry and whether it is making steps towards inclusivity. For this Sundance preview, we highlight all of the female-directed films in the lineup.
THE TALE dir. Jennifer Fox
Jennifer Fox’s harrowing autobiographical look at sexual abuse will be opening the festival following its premiere on HBO last Saturday. Laura Dern stars as Jennifer, a woman who is forced to reconcile the sexual relationship she had as a 13-year-old. In the age of Time’s Up and #MeToo, films like these feel timely, but it’s necessary that women get to tell their own stories in their own words.
Continue reading “Sundance Film Festival: London Preview”