“You look fat and healthy, and you dress well,” Wang Zhun (Wang Xuebing) tells a fellow director at the beginning of The Pluto Moment. It’s a little hard to tell whether it’s a back-handed compliment or a thinly-veiled insult, but the way in which he walks away immediately after, leaving the other man staring on in bewilderment, suggests the latter.
An arthouse filmmaker himself, Zhun has found himself on the set of a glitzy international production by pure chance. His wife Gao Li (Miya) is the movie’s action star, delivering high kicks in an all-leather jumpsuit when he arrives. The production is a mess of mixed languages and moving parts, moviemaking on the sort of mammoth scale reserved for real blockbusters. From the way he is skeptically interrogated upon arrival, to the forlorn look he wears as he watches on from the side-lines, it is clear that this is not Zhun’s world.
When shooting is wrapped up and the couple have a chance to talk, we find out that Zhun is trying to tempt his wife away from her glamorous, big-budget titles to star in his next venture. He doesn’t have any money for the film. Or a script. She already has another film lined up. Why not just wait and star in the sequel, he asks? Because, of course, this kind of movie always has a sequel. Or the third one? She playfully suggests.
Even with only the half-baked beginnings of an idea and no funding, he seems confident that his movie would be more worthwhile than whatever franchise she has been asked to helm. Even if he does not yet know what it will be about, he knows that his movie will at least be about something.