In Westworld’s Latest Episode, Characters Must Take Responsibility Over Their Own Fates – for Better or Worse  

This review contains spoilers for Westworld Season 2, Episode 6 ‘Phase Space’. For the rest of our Westworld coverage, click here.

Westworld’s latest episode comes after the bloodbath that was “Akane No Mai”: an episode that expanded on the lore of the series and introduced “Shogun World”. In a season that still struggles to keep a steady hand on its sprawling plot, this addition truly blossoms into its own in episode six of the series, where the heart of “Shogun World” is displayed in all its glory, and each character battles with choices they must make.

After discovering her new voice, Maeve must face the first of these heavy decisions – whether to use her power in order to beat the Shogun or allow Musashi to fight him honourably. “We each deserve to choose our fate,” Maeve declares. Unlike Dolores, Maeve has not become godly in her new-found power, as evidenced multiple times across their respective character arcs. Sure enough, the shogun and Musashi continue their fight untamed by Maeve’s “witchcraft,” in yet another overt display of gore and violence.

MV5BNTVkY2Q1NmEtNzc2MS00MjA3LWIwYWEtY2VlYWU0MWRlYWVkXkEyXkFqcGdeQXVyMjYwNDA2MDE@._V1_SY999_SX999_AL_
Hiroyuki Sanada in Westworld © 2018 HBO

Continue reading “In Westworld’s Latest Episode, Characters Must Take Responsibility Over Their Own Fates – for Better or Worse  “

In Shogun World, ‘Westworld’s’ Female Characters Must Suffer to Be Strong

Episode five of Westworld picks up from episode three’s cliffhanger where a mysterious man wielding a katana charges at Maeve. Enter Shogun World–this is the park where guests come when they find Westworld too tame, a concept which emphasizes guests’ desire for a stereotypically “exotic” experience. In an entertaining and cinematic episode, writer Dan Dietz and director Craig Zobel play with the nostalgia of Westerns and samurai films. While it featured stellar performances from Rinko Kikuchi and Thandie Newton, this episode shows how Westworld continues to subject its female characters to trauma to prove their strength.

When Maeve and company enter Shogun World, writer Lee Sizemore (Simon Quarterman) reveals that, in an effort to write as many stories as possible, he took their Westworld storylines and gave them a stereotypical Japanese twist to make it “new.” It is fascinating to watch these “doppelbots” recognize each other, particularly Maeve and the geisha, Akane (Kikuchi). They’re both sex workers, seen as pieces of meat to hosts and guests alike; they want to protect their own (Maeve and her daughter, Akane and Sakura, a young geisha); they both must suffer to grow.  

MV5BNjM2MjEzMzQtZGFiMS00ZGEyLThmNWMtOThkM2M3NTFhNjQwXkEyXkFqcGdeQXVyMjYwNDA2MDE@._V1_SY1000_CR0,0,1500,1000_AL_

Maeve discovers she can now mentally control other hosts. But, this new ability only comes after being beaten and choked by a ninja. As she gasps her last breaths and her eyes roll back into her head, Maeve realizes she can stop her assailant, even when she can no longer speak. Her suffering to gain this new ability is only one example in this episode of female characters needing to experience trauma to prove their strength.

Continue reading “In Shogun World, ‘Westworld’s’ Female Characters Must Suffer to Be Strong”

Episode Three of ‘Westworld’ Begs the Question: Who Let the Tiger Out?

We aren’t in the wild west anymore, folks. Episode three of ‘Westworld,’ ‘Virtù e Fortuna,’ has finally confirmed the existence of not one, but two new theme parks: the Raj (British-occupied colonial India) and Shogun World (samurais). Dissent is spreading to the other parks and the hosts have taken control; plus, there are rogue tigers chasing guests.

1_913_nt3ZAWnc5aTpdflVkw.1525654804

Episode three opens in the Raj, where guests sip tea and plan their hunting expeditions, while Indian men serve them. It’s a place for the rich to live out their Victorian fantasies of experiencing the exotic, while still in the comfort of a luxurious resort. In this resort, two strangers meet, engage in some interesting foreplay, then go off into the jungle together to hunt tigers. But subsequently are hunted by a host who declares, “these violent delights have violent ends” as he pulls the trigger. The man is shot and the woman escapes, only to run into the jungle and encounter a tiger.

Then, in a scene that is distinctly J.J. Abrams, a tiger knocks this mysterious woman off a cliff. Don’t worry, she survives somehow. She seems to have a part to play in all of this, but within a narrative so full of characters and storylines already, it’s hard to be excited about someone new.  

While tigers are attacking guests, Dolores (Evan Rachel Wood) has started a war. She sacrifices her new Confederado allies, armed with Civil War-era muskets, to the heavily armed human park security. In an uninspired battle where the massacre of hosts doesn’t seem much different from previous episodes, Dolores asserts herself as superior to other hosts–hosts that have not yet been awakened. She declares, “These men are just children. They don’t know any better. They need to be led.” She has become self-important and rather than feel inspired or moved by her monologues, I found myself bored.

Westworld-Season-2-Episode-3-photos

A character who finally had a shining moment was Teddy, played by James Marsden. So far this season he has been as memorable as a piece of plain white toast. But in this episode, Teddy’s discomfort with Dolores’ violence is no longer just a puppy-eyed grimace. This time, he disobeys Dolores and releases a group of hosts instead of executing them. There may be a glimmer of hope for that piece of white toast after all.

As Dolores continues to act poetic about her new role in this world and her grand plans, I find myself wishing for more scenes with Maeve. There are no dramatic monologues or too-sincere declarations, there is only her daughter. Maeve is smart, strategic, calculating, but also loving. She holds Hector’s (Rodrigo Santoro) hand, much to the surprise of their human hostage and park writer, Lee Sizemore (Simon Quartermain). That violates the narratives which were written for them; they are breaking the rules. Hector is supposed to be linked to the host, Isabella, not Maeve.

Screen Shot 2018-05-08 at 11.57.25 PM.png

But despite breaking some rules, Hector still echoes back cheesy romantic lines that Sizemore has written for him. Are these hosts really freethinking? If not, what happens when they truly break free from these narratives?

We also learn that Sizemore wrote Hector and Isabella after a breakup. Specifically, he wrote a narrative where Isabella, who represents his ex-girlfriend, is killed off as a perverse form of revenge. Sizemore’s anecdote illustrates the show’s problem with excessive violence towards women as a form of unwarranted punishment. Yes, ‘Westworld’ is violent and seems to spare no one, but there is a particular focus on trauma and violence towards women.

Episode three ultimately introduces plenty of new parks and new characters, but few answers. The storylines continue to multiply and branch off with no end in sight. As the story continues to expand beyond the scope of Westworld, it’s starting to become too big to contain. The season may only be three episodes in, but I’m exhausted thinking about what the rest of the season could bring.

In ‘Westworld’ Season 2, Robot Women Will Inherit the Earth

As ‘Westworld’ season two begins, and the first notes of Ramin Djawadi’s score are played, we see the credit sequence. Still familiar, but some things have changed. Instead of seeing two hosts having sex, there is a mother holding her baby; instead of machines creating a horse, a bison is smashing through glass; instead of an eye being created, it is being destroyed. This is no longer a show about pleasure and fantasy–it’s about death and rebirth. The senseless slaughter of hosts at the hands of humanity seemed without consequence. But now, it’s time to pay in blood.

MV5BOTgwYWJkMjgtZTY1MC00ZjAwLWIyMGEtMzUxY2IyZDc2N2VkXkEyXkFqcGdeQXVyMjYwNDA2MDE@._V1_
Thandie Newton as Maeve in ‘Westworld’ © 2018 HBO

*Spoilers ahead* Continue reading “In ‘Westworld’ Season 2, Robot Women Will Inherit the Earth”