2018 was a year of amazing horror films. While a certain Vogue article may disagree, 2018 was a year for pushing boundaries in the genre and creating complex female characters who weren’t just vehicles for over-the-top sex scenes. It was a year where “woman” no longer meant singular sex object, with films like Revenge, What Keeps You Alive, and Cam. It was a year of experimentation, as seen in Mandy and Possum, which create unique, and psychedelic, visual experiences. While the past five years have been full of this kind of boundary-pushing, from The VVItch to Get Out, 2018 continued to showcase the diverse voices in the horror community and demonstrate how the face of horror is changing.
While this piece will primarily highlight the positives of horror in 2018, this was not a year without its failures. The Nun, Truth or Dare, Winchester and more made up this year’s big blockbuster releases, and all were met with a resounding shrug; these movies made to draw the big crowds to the box office instead kept the horny teens away. The two horror films that drew crowds this year were A Quiet Place and Hereditary, two films that strayed away from the typical horror narrative and created unique stories that perhaps wouldn’t always make their way into the mainstream. Despite the bigger name flops, indie horror filmmakers really showed up to create pieces of horrifying media that resonated both throughout the horror community, and in some cases larger audiences.
Rape-revenge films are commonly exploitative, over-the-top, and torturous to their female characters. Think of films such as I Spit on Your Grave or Ms. 45. But, director Coralie Fargaet wanted to change this with Revenge, a film in the vein of the French New Extremity that uses rape as more than a plot device or site of spectacle.
Continue reading “Badass Women, Stunning Visuals, and Subverting Expectations: Looking Back at This Year in Horror”
2018 has been a wild year for film, from wildly entertaining sequels (see Mamma Mia: Here We Go Again and Paddington 2) to Yorgos Lanthimos’ latest in dry, yet tragic, humor to a horror film featuring tongue clicking, a nut allergy, and dead pigeons. It has been year for powerful women, both in front of and behind the camera, from the women of Annihilation to Crystal Moselle and her look into the world of women skateboarders. It has been a year to interrogate representations of masculinity, from Joe in You Were Never Really Here to Reverend Toller in First Reformed. It has been a year of terror, love, laughter, and exhaustion, both literally and cinematically. The films of 2018 truly captured the strange and turbulent atmosphere that has thrown us all into a state of near-constant anxiety.
The Much Ado team has relished in this anxiety, seeing many of 2018’s best, and worst films with the help of film festivals such as Cannes, NYFF, and BFI, MoviePass (RIP), and AMC Stubs A-List. After much deliberation, Letterboxd rankings, and last-minute trips to the cinema, we present Much Ado’s top 25 films of the year.
Continue reading “Best Films of 2018”
What better way to send off November than to give your soul to the dance? As you know, we’re big fans of Suspiria here at Much Ado, so I decided to make a compilation dedicated to the beauty of dance throughout cinema. Thom Yorke’s hypnotic song always brings up these images in my head of big ensembles, lavish costumes, and thrilling body movements, so it was simply wonderful to portray that in one of my edits.
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Suspiria is the devil dressed in tights and leotards. She allures and intrigues, disturbs and horrifies. Her body contorts into an array of grotesque positions. Limbs bend and break, bones protrude from taut skin. Yet the dance she performs is visceral, so fascinating it’s impossible to look away.
A remake of Dario Argento’s horror classic seems like an unexpected choice for Luca Guadagnino’s follow-up to Call Me By Your Name, but it’s a welcome change of pace. Mostly known for making movies about rich people lounging around pools in Italy, Guadagnino has instead transported us to 1970s Berlin. Though it should be said that this iteration of Suspiria is less a remake and more like the creepy cousin no one wants to talk to at the family gathering.
Continue reading “‘Suspiria’ is an Unholy Concoction of Blood and Guts”
As the dreadful month of August ends, fall begins and with fall comes the most wonderful time of the year: Festival Season! Venice already started, Toronto and Telluride will follow, then comes London and New York. The happiness and the discourse will spread from the sunny seaside of Italy, bringing film lovers together (or apart) until the Awards Season, in which we all will sell our souls to competition. But until then, enjoy a list of some of the films we cannot wait to see from festival season.
Continue reading “Most Anticipated Films from Fall Festivals”
2017 was a crazy, whirlwind of a year for cinema, with great films that left us on the edge of our seats like Get Out and Dunkirk, but now it’s time to start thinking about the countless films we can’t wait to see in 2018. Especially as the 2018 Sundance Festival comes to an end, we can’t help to think 2018 could be another great year for film. Ranging from small, independent films to major Disney blockbusters, here are some of the films our staff desperately anticipating.
Continue reading “Most Anticipated Films of 2018”