Cannes is just around the corner, and for those of us stuck at home wistfully thinking of the Croisette, there is no better place to turn than to the exceptional catalogue of past Cannes selections. MUBI have helpfully prepared a brilliant streaming lineup for their next twelve days of programming, presenting an iconic past Cannes film every day of the festival – surely enough to sate our cinematic appetites without even the need to even get up from the couch. Fantastique!
Read on to find out what our writers thought about the films included in this year’s Cannes MUBI lineup – from sadomasochistic horror, to the first movie to ever premiere in 3D at the festival, to a beloved Palme d’Or winner, there’s something here for everyone.
Continue reading “MUBI Cannes Takeover: 12 Great Films You Can Catch on MUBI During the Festival”
The woods are no place for punks—at least, that seems to be the case in Jenn Wexler’s feature film debut, The Ranger. Despite their studded jackets and tough attitudes, Wexler’s punks are no match for a deranged park ranger who knows these woods like the back of his hand. Set to a screaming soundtrack and chock full of gnarly kills, The Ranger is a creative reimagining of 1980s slasher films that rewrites its more harmful tropes into something perfect for our current cultural moment, a brilliant mashing of nostalgia and progressive filmmaking.
Chelsea (Chloë Levine) is an angsty punk who is haunted by a trauma in her past. She snorts coke, thrashes around at shows, and surrounds herself with insufferable people who help her keep the demons at bay. All that is initially shown about this trauma is a younger version of herself (Jeté Laurence, fresh off a wild performance in Pet Sematary) sitting on a cliff with The Ranger (Jeremy Holm), who tells her she is a wolf. But her coke-fueled haze is interrupted when cops bust into the bar where she’s partying with her boyfriend and friends. As she tries to escape the law, her intolerable boyfriend, Garth (Granit Lahu), stabs a cop to help her get away.
Continue reading “Jenn Wexler Beautifully Blends Punk Rock and 80s Slashers in ‘The Ranger’”
High school-centered media is always incredibly tricky to get right. It’s a time in our lives when we are incredibly vulnerable, as we come into ourselves socially, professionally, and sexually. So it makes sense that it’s such a popular genre. People want to see their experience mirrored, in a relatable fashion, on screen. So many films and television shows seem to miss the mark when it comes to this time period, especially when it comes to sexual exploration. Many sexualize teenagers to an uncomfortable degree, others disregard issues of consent and respect outright, and many works seem to make a joke out of a character’s understandable inexperience around sex. It is no exaggeration to say that this odd, uncomfortable depiction of sex can be harmful, especially to the developing young adults consuming this type of media.
So, as we near the end of the first month of 2019, we clearly have an evolved sense of sexual respect. We are coming off of a year where much popular conversation surrounded sex and respect, or lack thereof. So clearly we should have art that reflects our new, mature sensitivities around sex. We should hope so, at least.
A lot of the discourse around the recently released Netflix original miniseries Sex Education has been about just this: the show’s treatment of sex. Rightfully so, as the show makes no illusion that it has something to say about sex in high school, as its title would suggest.
Continue reading “The Inconsistent Sexual Ethics of Netflix’s ‘Sex Education’”