A.T White’s ‘Starfish’ Is A Deeply Personal and Meditative Look at Grief

A.T White’s debut feature film, Starfish, promises to be a strange, cosmic journey from the very start of the opening sequence. Beginning with a pitch black screen as voices cut in and out, disrupted by static which emits the feeling of a far away radio transmission, the first image we are shown is that of a snow covered mountain town, with a small and mysterious fire in the distance.

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Starfish follows a woman named Aubrey (Virginia Gardner) grieving the debilitating loss of her recently deceased best friend, Grace (Christina Masterson). The first act of the film serves a strong, meditative look at loss, following Aubrey as she enters Grace’s home and flashes fragments of their memories together as she tries to live in a world without her. However, when Aubrey wakes up the next day she finds that strange creatures have entered her universe through some sort of radio signal that Grace was researching with a group of conspiracy theorists. Aubrey embarks on a scavenger hunt to find seven mixtapes created by Grace so that she can play them all together and save the world. What ensues is a stylistically diverse and experimental look at grief, guilt, and self-forgiveness.

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