No one, absolutely no one, could have ever suspected that The Lego Movie would be as good as it was. Boasting a stop-motion inspired, completely-made-out-of-bricks animation style, countless different franchises and IPs, and a loud, catchy pop song in “Everything is Awesome,” it was evident that it would look and sound the part at the very least. In a Hollywood landscape where it seemed that just about every movie was a reboot, a sequel, or an adaptation of some obscure toy, imagine how audiences and critics alike were caught off guard when The Lego Movie itself directly knew all of our anxieties and used them to its advantage. Stealthily, we got a movie that used one of the biggest toy brands and some of the biggest franchises to create a narrative about the beauty of individuality and creative self-expression, a heartwarming tale about a father and son reconnecting, and the dangers of conformity under a capitalist society (no, seriously).
In short, Phil Lord and Christopher Miller, the directors of the first film (and most recently Into the Spider-Verse), know what the hell they’re doing. There have been a few Lego spin-offs in the meantime since 2014, but here we finally are with a sequel to the original The Lego Movie. This time around, Lord and Miller have producing credits, with director Mike Mitchell (Trolls) taking the reigns. But, rest assured, their under-99-layers-of-irony-but-still-as-genuine-as-can-be essence is still everywhere. The result is a sequel that is a lot less subtle about its meta-narratives and has fewer moving parts in its plot structure, but still understands everything that made the original great while excelling at being just as emotionally satisfying.