We’re a society that loves serial killers, but only a certain image of serial killer: a white man with a tortured past who can easily be slapped on a t-shirt and lauded as some kind of perverse hero. Filipino director Raya Martin taps into this obsession with his adaptation of Felisa Batacan’s award-winning novel, Smaller and Smaller Circles (it was also the first Filipino crime novel). But, instead of glorifying or deifying the killer, Martin instead portrays him, and the entire case, with nuance and pain, depicting a world unseen by most Western audiences.
In a rain-soaked Payatas, reminiscent of the dreary city in Se7en, two Jesuit priests, Gus Saenz (Nonie Buencamino) and Jerome Lucero (Sid Lucero), are assisting in the investigation of a potential serial killer who is targeting young boys in the slum district. Seven bodies have been found in a local garbage dump, each missing his face and genitals. Saenz and Lucero, forensic investigators as well as priests, are working against time and the police to solve this case, fighting tooth and nail for resources. While they are investigating these murders, they are also combating the rampant sexual abuse within the Catholic Church. Both men are trying to do good by the Lord, but are confronted with a more harrowing reality.