Taika Waititi wears his heart on his sleeve. That’s evident from all four of his sad, quirky, New Zealand-based cinematic adventures, not including his plummet into the Marvel Cinematic Universe and absolutely including What We Do in the Shadows, a film that somehow manages to find the warmth and humanity in horny, blood-slurping vampires. He’s been called a master of “sad-happy cinema”; adept at finding the perfect balance between melancholy, humor, and real joy. His films such as Eagle vs. Shark, Hunt for the Wilderpeople and Boy work to this concept with the utmost precision, playing for laughs during awkward, tear-jerking moments and treating darker subject material with a gentle, playful touch. Waititi wants people to understand that happiness and sadness aren’t opposites, but two emotions that can and should coexist. There is beauty in despair and humor in our strife. Light is ever-present even in the utmost darkness.Continue reading “‘Jojo Rabbit’ is Cute, Confused and Nothing Particularly Gutsy”
The existence of the romcom as a genre is often considered formulaic and vapid. Many people love to hate, and a trashy romcom is the supposedly lowest ranking of cinema. And yet, for others, the romcom is actually one of the most celebrated genres in cinema, where people live for the magical moments, the predictable tropes and the happy endings of it all. However, it is not what it is without its many critiques; whether it’s not diverse enough, or it’s too heteronormative, or it doesn’t cater to the reality of the world. In Todd Strauss-Schulson’s Isn’t it Romantic, the argument is laid out that anyone could have the life of a protagonist in a romantic comedy, no matter how silly or hopeless this actually looks like.