It starts with a whisper, then a murmur, then a joyous shout. Spreading across the screening like waves disturbing still water, the chanting begins. Sapphics hold hands as they begin to activate their power, absorbing gay energy from the very presence of Rachel Weisz in a hunting outfit. They will now live forever, to spread a message of plaid and emotional detachment across the world.
“Let’s go lesbians,” yells the theatre, and all heterosexuality evaporates into dust.
I’m joking, of course, but that’s kinda what watching The Favourite felt like.
Continue reading “BFI London Film Festival ’18: ‘The Favourite’ Makes Scathing Commentary on the Frivolity of Royalty (Also, There’s Lesbian Activity)”
(Rachel² in Disobedience)
Since it’s premiere at TIFF, “Disobedience” has been one of the films I’m most excited to see. After all, it’s not everyday that you see Rachel Weisz spitting into Rachel McAdams’ mouth in an Orthodox Jewish drama. By the director of this year’s Best Foreign Picture winner “A Fantastic Woman” Sebastián Lelio, “Disobedience” tells the story of two women’s desire for each other and their struggle of being who they are in a domineering Orthodox Jewish community. Ronit (Weisz), a photographer who lives a secular life in New York, returns to her community in London after the death of her father who is a rabbi. Upon her return she finds out her two childhood friends Esti (McAdams) and Dovid (Alessandro Nivola) got married and the sparks from her old relationship with Esti are still there. Ronit and Esti’s rediscovery of their desire becomes a problem for the community and Dovid, who is to take Ronit’s father’s place as rabbi. The film opens with rabbi’s speech on free will which shortly becomes his last words and one of the main themes of the film. Despite some flaws, “Disobedience” is a great film about empowerment and complex relationship between one’s self and community with wonderful performances by Rachel² and Nivola.
Continue reading “Istanbul Film Festival ’18 Review: Disobedience”