2017 was a year full of the celebration of female filmmakers. Patty Jenkins brought Wonder Woman to the big screen and proved to those still in doubt that women can make blockbusters! (Wow, can you believe?!) Dee Rees‘ Mudbound and Greta Gerwig‘s Lady Bird were nominated for Academy Awards! So to celebrate female filmmakers and Women’s History Month we’ll share with you some films that were directed by women that you might’ve missed. To not overwhelm you with all these great films, we’ll share them throughout the month! In honour of International Women’s Day, here is the first piece, we hope you enjoy and watch them all!
Continue reading “Films Directed by Women in 2017 that You Might’ve Missed (Part 1)”
Polyamory is not a subject that is often tackled within fiction – much less in a way that portrays such a relationship as a multifaceted romance, rather than voyeuristic soft porn. ‘Professor Marston and the Wonder Women’, therefore, already excels from the offset purely due to its unique subject matter and the respectful tone in which this is addressed. The semi-biographical story follows American psychologist William Moulton Marston (played by Luke Evans), and his relationships with the two women who inspired his beloved creation: Wonder Woman. It is an exploration of the psychology of domination, submission, and sexual dynamics – but ‘Fifty Shades of Grey’ this is not. Instead, ‘Professor Marston’ incorporates psychosexual themes into a fully rounded human story about power, love, and societal pressure to conform. Though the film brims with sexuality, the tastefully directed sex scenes are never exploitative of the queer love which the film represents.
Continue reading “BFI London Film Festival ’17 Review: ‘Professor Marston and the Wonder Women’ is a character-driven, psychosexual drama that seriously deserves your attention”