Children see themselves and their parents as parts of a single whole we call family. Some children realise later in life, as adults, the individuality of the parts that make up the family. In other cases, they’re forced to realise this when the whole collapses. A child is in one of the most helpless states they can be when they have to watch that collapse, witnessing everything that’ll contribute to the outcome that they somehow know is about to happen. A child cannot choose sides between two people who they once thought were a whole, and as we watch Wildlife through the eyes of a child in the middle of a collapsing marriage, director Paul Dano asks us, very delicately, not to choose sides either.
As the Tribeca Film Festival comes to an end, here’s my take on a few films I was fortunate enough to see. And since it was the first major festival I’ve covered, it shouldn’t be surprising that I was constantly in an “OMG this is really happening! Where am I?” mental state. So, to keep you all up-to-date on the experience, I offered some insight into my scatter brain throughout the festival.