As of today, the Amazon Rainforest is on fire, fascist rhetoric seems normalized, and I’m seeing videos of protestors across the seas and in my own country being beaten and oppressed. The world is unfair, cruel, and traumatic; and we are left to figure it out. It is especially infuriating when it seems those with the power to change the world turn a deaf ear to those fighting for justice.
Of course, this push and pull between the haves and have nots is nothing new. Often, analyzing how others have spoken out against injustice puts our anger in a comforting context. Luis Buñel had many of the frustrations that we have today, albeit in a different situation to say the least. In a strange twist of fate and fortune, we have the luxury to analyze his surrealist commentary in one of the seminal works of his career, The Discreet Charm of the Bourgeoise.
Continue reading “MUBI Review: ‘The Discreet Charm of the Bourgeoisie’ and Surrealist Commentary”
This review is part of our coverage for MUBI’s August 2019 slate.
“Forget the reel. I just need to scream. That’s all.”
There is no denial that Peter Strickland is emerging as one of the strongest contemporary genre filmmakers of the UK. With the kaleidoscopic The Duke of Burgundy and his most recent In Fabric, he displays his talent for something that one usually connects with the great genre filmmakers of the likes of Argento, De Palma and co., whose influence he wears proudly. Strickland has the sensibility to craft a thoroughly entertaining film that specifically concentrates on its aesthetic ideas and weaves them into central narrative concerns without running into danger of being gimmicky.
While In Fabric is fascinated with the image of a cursed piece of cloth on an elegant shop counter, and Duke of Burgundy with a submissive maid dusting off the glass of a butterfly collection, Strickland’s breakout film Berberian Sound Studio is invested into the texture of sound technology and the image of a woman screaming in silence.
Continue reading “MUBI Review: ‘Berberian Sound Studio’ and The Power of Sound”
This review is part of our coverage for MUBI’s August’ 19 slate.
Focalised through the slowly waning romantic affair between two women, director Peter Strickland’s The Duke of Burgundy (2014) is an intriguing examination of the theatrics of love. The film occupies an alternate plane of reality altogether — temporal markers are removed, only women exist, and all everyone ever does is attend lectures on butterflies or customise beds for those interested in S&M. Perhaps the almost surreal setting of Strickland’s film is a fitting match for the isolated romance at hand, which borders on consumingly solipsistic.
Continue reading “MUBI Review: ‘The Duke of Burgundy’ and the Theatrics of Love”
Cannes is just around the corner, and for those of us stuck at home wistfully thinking of the Croisette, there is no better place to turn than to the exceptional catalogue of past Cannes selections. MUBI have helpfully prepared a brilliant streaming lineup for their next twelve days of programming, presenting an iconic past Cannes film every day of the festival – surely enough to sate our cinematic appetites without even the need to even get up from the couch. Fantastique!
Read on to find out what our writers thought about the films included in this year’s Cannes MUBI lineup – from sadomasochistic horror, to the first movie to ever premiere in 3D at the festival, to a beloved Palme d’Or winner, there’s something here for everyone.
Continue reading “MUBI Cannes Takeover: 12 Great Films You Can Catch on MUBI During the Festival”