MUBI Review: ‘The Duke of Burgundy’ and the Theatrics of Love

This review is part of our coverage for MUBI’s August’ 19 slate.

Focalised through the slowly waning romantic affair between two women, director Peter Strickland’s The Duke of Burgundy (2014) is an intriguing examination of the theatrics of love. The film occupies an alternate plane of reality altogether — temporal markers are removed, only women exist, and all everyone ever does is attend lectures on butterflies or customise beds for those interested in S&M. Perhaps the almost surreal setting of Strickland’s film is a fitting match for the isolated romance at hand, which borders on consumingly solipsistic.⁠

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