LFF ’19: Pablo Larraín’s ‘Ema’ Is a Hypnotic Cocktail of Sex, Dance, and Family Drama

Every once in a while, you’ll come across a film burning so brightly it threatens to melt the celluloid. Well, Pablo Larraín’s Ema is a film which radiates with that sort of creative intensity. The Chilean auteur’s radical, exhilarating exploration of a desperate young mother on the edge is singed with flame from start to finish: Ema is burning up inside as she manipulates countless lovers into a hurricane of emotional violence, all in-between sessions of reggaeton dancing and literally setting the city ablaze with a flamethrower. Wild as that may all sound, Larraín’s newest film emerges as an emotionally honest, resonant work about a woman who is determined to forge her own path.

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