‘Madeline’s Madeline’ Expertly Blurs the Line Between Performance Art and Reality

Madeline’s Madeline is unafraid to delve into the volatile psyche of a teenage artist. Art is so often used as a tool to sort through perplexing emotions, so it makes sense that struggling teens tend to lose themselves in this low-cost form of therapy. This semi-experimental fever dream poses the question: At what point in the creative process does art as personal self-expression begin to do more harm than good?

Madeline (newcomer Helena Howard) is a 16-year-old actress in a physical theater troupe, fresh out of a brief stay in a psychiatric ward. Her teacher Evangeline (Molly Parker) is at once forceful and understanding, as if Fletcher from Whiplash actually had a heart. On the flip side is Madeline’s mother Regina (Miranda July), an unstable but ultimately loving helicopter parent whose moods, like Madeline’s, violently change at the blink of an eye. From a more neutral perspective, Regina’s actions may come across as a frustrated, terrified mom doing her best to make sure her daughter stays healthy. But the eyes of a teenage girl, especially one with mental illness, see the world through a distorted lens. I know this because I once was one.

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