If there’s one thing that Love, Simon succeeds at, its giving us something new in a genre that is characterized by the regurgitation of the same tropes and clichés. Needless to say, I am not a big fan of teen romcoms, so I walked into my advanced screening last Tuesday with cautious optimism. I was immediately surprised to see how packed the theater was with plenty of young faces and couples, and as soon as the movie started they cheered and filled the theater with so much delight and energy that can only be beaten by a crowd of a Star Wars movie on opening night. It was in that moment I knew that I was about to watch something very special for my community. Love, Simon is a heartfelt, positive, and inviting romp through the personal journey of a closeted gay teenager, and being that it is a mainstream studio film- that in itself is an honorable achievement.
Adapted by the 2015 young adult novel, Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon tells the story of a teenage boy dealing with the struggle of embracing his own sexual identity whilst also wanting to also fit in and be treated normally by his family, friends, and peers around him. It was directed by Greg Berlanti, the writer-producer of other teen-aimed movies and shows such as the D.C. network shows and was produced by the same people who brought you films like The Fault in Our Stars and Paper Towns. This is a good indicator of what kind of film to expect going in, but Love, Simon does offer some very substantial subversions of traditional romantic comedy fare, including a character that serves as a callout to the obnoxious white knight archetype you see in a lot of these films.
2017 was a crazy, whirlwind of a year for cinema, with great films that left us on the edge of our seats like Get Out and Dunkirk, but now it’s time to start thinking about the countless films we can’t wait to see in 2018. Especially as the 2018 Sundance Festival comes to an end, we can’t help to think 2018 could be another great year for film. Ranging from small, independent films to major Disney blockbusters, here are some of the films our staff desperately anticipating.
2017 was a fantastic year for LGBTQ+ cinema. From ‘Call Me By Your Name’ to ‘A Fantastic Woman’ to ‘Battle of the Sexes’ to ‘120 BPM’, both mainstream and independent films proved that the industry is developing rapidly in terms of its approach to sexuality and gender. 2018 looks set to continue this, with a number of upcoming films featuring LGBTQ+ themes. Though we’ll have to wait and see if this year can improve on the last, the future looks bright (and rainbow) if the following films are anything to go by.
Please note that reviews linked to in this thread may contain spoilers.
The Miseducation of Cameron Post
Director: Desiree Akhavan
Cast: Chloë Grace Moretz, Sasha Lane, Jennifer Ehle, John Gallagher Jr., Forrest Goodluck
Release Date: 22nd January 2018 (Sundance Film Festival)
Premise: One of quite a few conversion therapy films this year, ‘The Miseducation of Cameron Post’ tells the story of a young woman (Chloë Grace Moretz) who, after being caught with the prom queen, is sent to a “de-gaying” camp by her conservative family. Though things will become much more clear after the film’s imminent Sundance debut, at the moment hopes are high – director Desiree Akhavan’s previous work includes the much treasured ‘Appropriate Behaviour’. The cast is also promising, with ‘American Honey’ breakout star Sasha Lane in her second cinematic appearance, and the always trustworthy Jennifer Ehle co-starring.