TIFF ’19: ‘Hustlers’ Knows What the F*ck Is Up

As Janet Jackson would say, Hustlers is a story about control. Jackson’s voice literally carries that message over the film’s first scene—her 1986 empowerment hit “Control” bumps through the elite Manhattan strip club where Constance Wu’s Destiny is trying to learn the ropes and take back her life. This pairing of song to scene is brass and unsubtle, but why shouldn’t it be? Hustlers knows it’s brass and unsubtle, and it knows exactly how to blend these elements, otherwise limiting in the wrong hands, into a dangerous concoction too delicious to resist. 

This cocktail of fun and energy and star power might trick you into thinking Lorene Scafaria’s latest film isn’t worth taking seriously, but you’d be dead wrong. Hustlers is big and uproarious, yes, but it’s also a for-fucking-real crime story with enough style, intrigue, and pinpoint emotional accuracy to compete with the films of Soderbergh and his ilk that have thus defined the ensemble heist genre. Thanks to the unique vision of women in control on both sides of the camera, Hustlers is a triumph—and one of the best films of the year.

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