This article is by our guest writer, Isabelle Miller.
Happy pride everyone! During the month of June, we reflect on the Stonewall Riots of 1969 and the activists who started the LGBTQ movement. It’s a time to advocate for the LGBTQ community, celebrate their culture, and naturally, watch some great films (though, when is there not a good time for this?). In the late 1970s, artist Gilbert Baker decided to create a flag in representation of the LGBTQ community. Today, the rainbow flag represents LGBTQ pride all across the world. The different colors carry various meanings such as life, healing, sunlight, peace, spirit, sex, art/magic, people of color, and HIV/AIDS.
In celebration of pride month, here’s a list of LGBTQ films based on some of those colors!
To celebrate Pride Month, here is a list of all the upcoming LGBTQ films you can expect to see on a cinema screen near you. All descriptions are from press materials.
June 8 – HEART BEATS LOUD dir. Brett Haley
The film follows Sam during her last summer at home before she leaves for UCLA. She lives with her father, Frank, who runs a record store in Brooklyn. Together, they bond while playing and writing music together in their living room. And Sam doesn’t let the impending cross-country move stop her from having a summer fling.
Starring: Nick Offerman, Kiersey Clemons, Sasha Lane, Toni Collette
Adolescence is an important time for all of us. It’s a rollercoaster of unexplainable emotions – emotions that often cannot be accurately captured in words. It’s the first time we feel attraction, discover sexuality, and explore romantic relationships. It’s a crossroads for all, but it can be especially painful for LGBTQ+ youth. While heterosexual and cisgender teenagers will see their own desires reflected in the rest of their community, their trans and same gender attracted counterparts can often experience the throes of adolescence in complete loneliness.
Much of French filmmaker Céline Sciamma’s work focuses on the unique conflicts of adolescent life. Her camera juxtaposes the joy of new maturity with a fear of the unknown, calmly recounting the stories of strikingly individual characters. Her work is best watched collectively, for maximum appreciation of her minimal style, but if you’re looking for somewhere to start, take a look at the summaries below.
Approximately seven months ago, I started off this blog with a list of lesbian rom-com recommendations. At that point, myself and Dilara had no idea how far Much Ado could go; for all intents and purposes, this blog would be a place where we could occasionally throw written work, the odd opinion piece, or a review that required a platform slightly more formal than letterboxd.
Nine regular writers, twelve guest writers, 136 posts, 2700 twitter followers, and ten festivals later, Much Ado About Cinema has become a space where young developing critics can hone their skills and produce content for a new generation of film fans. For a while now, I’ve been wanting to do a follow-up post to my very first article – a continued vent about the wonder of the lesbian romcom. These five films may be slightly rough around the edges, with some even veering into cringeworthy territory, but they all provide the kind of gay warm fuzzies that every queer woman deserves.
Show Me Love/Fucking Åmål (1998)
Potentially more of a romantic drama than a true romantic comedy, ‘Show Me Love’ provides an insightful tale of teen love that will resonate with any lesbian who crushed on the popular girl in high school. Agnes is a depressed, closeted sixteen-year-old with a passionate love for Elin, an outgoing but bratty teen. Both girls are unhappy with their lives in different ways; Agnes is lonely and stuck in the juvenile social class of “weirdo outcast”, whilst Elin is bored with her seemingly perfect life. After a cruel kiss on a dare, Elin becomes intrigued by Agnes, and their mismatched romance flourishes through the peaks and troughs of adolescent life.
Anahita Ghazvinizadeh is certainly a filmmaker to watch. A student of Abbas Kiarostami, the writer-director already has a Cinéfondation First Prize under her belt, picked up in 2015 with her short film ‘Needle’. Now, Ghazvinizadeh’s debut feature casts a careful eye over the subject of childhood gender-fluidity, the pressure of conformity, and the construction of identity.
J (Rhys Fehrenbacher) is an introspective adolescent who takes hormone blockers to prevent the onset of puberty. This is a temporary measure, we learn in the film’s opening, as J’s medical tests suggest that a decision must be reached soon, lest their health be put at risk. J’s life is at an impasse as they float between childhood and adulthood, unable to progress until they tick a box: B or G.
For years, the LGBTQ+ community have been begging for cinema beyond the typical coming-out story – cinema that explores conflict within queer relationships without resorting to “help me, I’m gay!” Tali Shalom Ezer’s latest feature ‘My Days of Mercy’ promises such a story. The premise is simple but intriguing: protagonist Lucy (Ellen Page), whose father is on death row, falls in love with pro-death penalty campaigner Mercy (Kate Mara). Unfortunately, despite truly electric chemistry between Page and Mara, ‘My Days of Mercy’ never delves far enough into the dramatic potential of such viscerally clashing moral standpoints. The result is a film that is momentarily sweet, but ultimately unsatisfying.
Shalom Ezer begins the film by throwing us right into the protest action; a man is on death row for killing a police officer, and there are pickets on both sides of the argument. Lucy, accompanied by her siblings and, protests as though it is part of her daily routine. Desensitised and slightly bored, she continues through these motions in the dimly lit hope of changing things for her own father. As the pro-death penalty campaigners arrive, notably more prim and proper than the “hippy” antis, Lucy’s eyes meet Mercy’s across the picket lines. It’s cheesy, and a little lacking in believability, but nonetheless a classic way for two would-be lovers to first notice each other.
BFI Flare is just around the corner; the festival, now in its 32nd year, opens with Tali Shalom Ezer’s ‘My Days of Mercy’ on the 21st March. This year’s programme is bursting with wonderful queer content, ranging from cheesy teen romcoms, to sobering documentaries, to experimental short film. Flare takes great pride in its development from the “London Lesbian and Gay Film Festival”, to the “London LGBT Film Festival” and now, finally, to the much more inclusive “LGBTQ+”. This updated name is reflected in the diversity of the films on offer here – regardless of your label (or lack thereof), there’s something for all interests. Though we don’t have time to sink our teeth into everything on offer, here are a few feature films that we’re especially looking forward to:
Director: Elizabeth Rohrbaugh, Daniel Powell
Cast: Lena Hall, Dan Fogler, Mena Suvari
Summary: After a crushing breakup with her girlfriend, a Brooklyn musician moves back in with her Midwestern mother. As she navigates her hometown, playing for tip money in an old friend’s bar, an unexpected relationship begins to take shape.
At first, I thought this looked a little kitschy, especially considering the focus on music. However, ‘Becks’ has been getting some fantastic reviews since its US release last month even despite the natural lesbian movie backlash, with many stating it to be incredibly genuine and heartfelt. As a result, my curiosity is piqued; it could well be that ‘Becks’ joins the elusive club of cute lesbian indies to be held in in the hearts of gay women for years to come.
Screening Info: Thursday 29 March 2018 18:30 / Saturday 31 March 2018 16:00