The human idea of identity is a delicate one, naturally susceptible to fragmentation, fluidity, and misunderstanding. Culture scholars have debated this phenomenon for decades, and JT Leroy engages these issues simply through the nature of its story; if there is a variation between how the outside world views us and how we view ourselves, which of these identities takes precedent? What, morally, do we owe people when we project certain images of ourselves—is it a lie to hide behind a mask, or can our true identity be found in the ways that we present to the outside world? Is our identity internal knowledge, external presentation, or a mix of the two? In JT Leroy, these questions are asked in earnest, but the film never comes to a conclusion, scratching only the surface of a much greater discussion on the queer experience of the self.
Continue reading “BFI Flare LGBTQ+ Film Festival 2019 Review: ‘JT Leroy’ Asks Worthwhile Questions, But Cannot Provide Answers”
Sometimes, before watching a new film, there’s a murky feeling that it’s going to be an intense experience. The Tale is one of those films. The HBO film follows Jennifer, played by Laura Dern, as she is forced to revisit the circumstances of her first “relationship” with an older man as a child after her mother discovers a story written by her younger self. If the premise isn’t powerful and sensitive enough, the film is based on the story written by the writer-director Jennifer Fox’s younger self at the time of her abuse. Primarily because of its plot, the film is not particularly “entertaining,” at moments even difficult, but it’s so powerful that it’s a must-watch.
Continue reading “‘The Tale’ is a Brave Story of the Mind’s Power to Shield Us from Trauma”