BFI Flare LGBTQ+ Film Festival ’18 Review: ‘My Days of Mercy’ is momentarily sweet, but ultimately unsatisfying

For years, the LGBTQ+ community have been begging for cinema beyond the typical coming-out story – cinema that explores conflict within queer relationships without resorting to “help me, I’m gay!” Tali Shalom Ezer’s latest feature ‘My Days of Mercy’ promises such a story. The premise is simple but intriguing: protagonist Lucy (Ellen Page), whose father is on death row, falls in love with pro-death penalty campaigner Mercy (Kate Mara). Unfortunately, despite truly electric chemistry between Page and Mara, ‘My Days of Mercy’ never delves far enough into the dramatic potential of such viscerally clashing moral standpoints. The result is a film that is momentarily sweet, but ultimately unsatisfying.

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Ellen Page and Kate Mara in ‘My Days of Mercy’ (2017) © BFI Flare

Shalom Ezer begins the film by throwing us right into the protest action; a man is on death row for killing a police officer, and there are pickets on both sides of the argument. Lucy, accompanied by her siblings and, protests as though it is part of her daily routine. Desensitised and slightly bored, she continues through these motions in the dimly lit hope of changing things for her own father. As the pro-death penalty campaigners arrive, notably more prim and proper than the “hippy” antis, Lucy’s eyes meet Mercy’s across the picket lines. It’s cheesy, and a little lacking in believability, but nonetheless a classic way for two would-be lovers to first notice each other.

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