‘Overlord’ Is the Kind of Over-The-Top, Bloody Escapism That We Deserve

In the first year of my mom and dad’s marriage, my mom remembers coming home late to see my dad sprawled on the couch, exhausted, watching Die Hard (1988). When she asked him what had made him decide to watch this particular film so late in the night on a weekday, he replied, “I’ve had a stressful day. I just needed to watch people blow up.” Although not nearly as charismatic or witty as John McTiernan’s modern classic, my father’s exhausted confession perfectly sums up my feelings about Julius Avery’s Overlord (2018).

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