To be totally candid here, it’s difficult to separate my thoughts on Far From Home as a film and my thoughts on it as a die-hard Spider-Man fan. Since the MCU is progressively becoming less stand-alone, I feel it is necessary to give my thoughts on previous entries. Homecoming remains my favorite Spider-Man film, and I am lukewarm at best towards Avengers: Endgame, and if you’re not a fan of either, if you dislike the MCU’s interpretation of Spider-Man, then Far From Home will do very little to change your mind. What we’re dealing with here, is a new, modernized re-interpretation of Peter Parker/Spider-Man instead of a definitive version of the character; the sooner you accept that, the better. You will also read me clarifying “live-action” when I make any bold claims because Into the Spider-Verse still remains the best Spider-Man film and possibly the best comic book film ever.
I argue this mainly because Far From Home follows Peter Parker in a far different mindset than one would normally expect from him. This is a young, sixteen-year-old Peter that has gone through an enormous amount of trauma from the last two Avengers movies, and in the aftermath, has developed an exhaustion with superheroism; a Spider-Man that has a lot to learn about maturity, responsibility and a lot of emotional baggage to sort through. Jaded with the weight of Iron Man’s passing, Peter (Tom Holland) decides he wants to take a break; to go on his summer field trip in Europe with his classmates and pursue a romance with MJ (Zendaya). Along the way, he runs into Nick Fury (Samuel L Jackson) and a mysterious… Mysterio (Jake Gyllenhaal), and the balance between being Spider-Man and being Peter Parker becomes an even more complicated weight to burden.