‘His Dark Materials’ is a Worthy Series Adaptation of Philip Pullman's Trilogy

I read Philip Pullman’s His Dark Materials trilogy when I was ten years old. My parents don’t write or speak English well, but they made sure that I could by bringing me to the public library whenever they had time off from work — which was very little. Pullman’s work, in this sense, made me feel the wonder of possibility in its purest form: Like Lyra Silvertongue (Dafne Keen), I had to navigate a world which didn’t make the slightest bit of sense. His books, however, taught me that if I just tried, maybe I could make it work. Above all, the trilogy has always been about the beauty of found families — in this day and age, our chosen alliances are more important than ever. Later on in the series, Roger Parslow (Lewin Lloyd) tells Lyra that she is an orphan too, and that perhaps all they have is each other. While the newly adapted television series of Pullman’s trilogy, co-produced by HBO and BBC, noticeably struggles with pacing and the glaring absence of key plot points, it does an excellent job at honing in on the complexity of familial relations, and how found families remain crucial to our survival in the age of political violence.

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