Berlinale 2019 Review: ‘I Was at Home, But’ struggles to find meaning in its existential themes

Cinema does not need to be coherent to be understood. Some art is not made to be chronological, or easily understandable, or accessible to a wide audience. Equally, however, criticism has the right – or even the responsibility – to dismantle the layers of a film and peer at what’s underneath, so that we may debate the meaning which lofty imagery may convey. The problem with I Was at Home, But, is that this meaning never really appears, leaving nothing but frameless minimalism masquerading as a greater film.

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