The slasher film is a quintessential subgenre for horror, giving the world figures like Jason Voorhees, Michael Myers, and Freddy Krueger: all male figures chasing women with knives. But for this week’s horror recommendation, I’m bringing you a slasher of the likes you’ve never seen. Alexandre Aja’s High Tension takes the slasher film and turns it on his head. It is essential viewing for fans of the genre and of the portrayal of gender in horror film.
High Tension follows student Marie (Cecile de France) and her friend, Alex (Maïwenn) as they travel to Alex’s family home in the French countryside. It is a secluded place, quiet and surrounded by corn, perfect for studying, Alex says. However, there isn’t much studying when a deranged killer arrives at the home, killing Alex’s family and kidnapping her, leaving Marie behind. What ensues is Marie’s quest to save her friend from the psychopath and prove how much she cares for her. Continue reading “Halloween Horrors: A Gory Reimagining of the Slasher Film in ‘High Tension’”
Horror is gay. It’s a genre about, among other things, destroying societal conceptions of heteronormativity and domesticity. Gay horror fans like myself see ourselves in these narratives about monstrosity and “otherness” and take hold of them, making them our own. In his book, Queer Horror Film and Television: Sexuality and Masculinity at the Margins, Darren Elliott-Smith says, “…the study of monstrous homosexuality in the horror film has also revealed the celebratory pleasures offered to queer, gay and lesbian viewers’ oppositional identification with the very same monsters that threaten the norm.” Our identities threaten heteronormativity and we cheer on those monsters that do the same. Horror is not only about queerness, but is shaped by queerness, with LGBTQ+ directors, like Clive Barker and Don Manici, creating horror classics such as Hellraiser and Child’s Play, respectively.
While gay horror directors and fanatics have helped shape horror film, their work is eclipsed by toxic tropes created to “other” LGBTQ+ characters and make them into villains. Horror ultimately reflects societal fears and for much of recent history, society has been afraid of gayness and the threat it poses heteronormative conceptions of family and relationships. While our current cultural context is evolving into a slightly more accepting one, this genre has perpetuated toxic tropes, two of which that I’ll discuss here, that depict LGBTQ+ characters as deviant, horrific monsters.
Continue reading “Horror Film’s Terrifyingly Harmful Use of Queer Tropes”