Dads of 2018: Ranked

A few weeks ago, this tweet by Alexandra Svokos (@asvokos) was posted on Twitter:

Basically, it awoke a burning need inside me. I love film dads. You hopefully love film dads as well. So, why not use my position as a writer on a well-respected film site to rank film dads and distract myself from the existential despair around me? For the sake of brevity (and so I’m not just regurgitating the beautiful tweet above), I chose to focus on 2018 film dads in a specific and simple list, ranked on a lot of different factors. I limited it down to one dad per movie, from movies I have seen and at least superficially enjoyed. There also may be spoilers for any film included on the list, so beware!

Well, girls, gays, and all other dad loving individuals – let’s get to it!

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Karlovy Vary 2018: ‘To The Night’ Fails the Talents of Caleb Landry Jones

This piece is written by our guest writer Redmond Bacon.

Caleb Landry Jones was everywhere last year, playing supporting roles in movies as diverse as The Florida Project, Get Out and Three Billboards Outside Ebbing, Missouri. Displaying such a great range, with every character wholly different, his own moment in the spotlight has been well overdue. Sadly, for him, To The Night, which sees him play a trauma victim suffering from psychotic episodes, will not be the movie to catapult him to leading man status.

He plays Norman, a man who survived a deadly fire as a child which killed his parents. Now he is a father himself, living in an atelier-like apartment with his girlfriend Penelope (Eleonore Hendricks ). Its hard to say what exactly he does as a job, although it looks like he might be an artist — creating a model of the house that his parents died in and the opening scene showing him at an exhibition. He is in desperate need of help, his psychotic breakdowns leading to him smashing up the apartment and even raising his hand to Penelope. Its not a pretty film to watch, and he is not an easy character to like.

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Much Ado’s Best Films of 2018 (So Far)

We may only be halfway through the year, but there have already been plenty of great movies to sink our teeth into. From slow-burn indie darlings to crowd-pleasing blockbusters, the past six months have provided something for all tastes, proving that we don’t have to be mid-awards season to experience great cinema. Check out the following 15 films that we think are the best of the best:

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‘Hereditary’ Offers a Fresh and Horrific Look at Family Trauma

Grief, guilt, and mental illness are not unusual themes in horror film. We’ve seen them in The Babadook, The Witch, It Follows, the list goes on. But Ari Aster’s debut feature film, Hereditary, takes the struggles of grief to another horrifying level. What he creates is a tense, devastating, and at times difficult to watch, look at the trauma we suffer at the hands of our family and how that trauma lives on past death.

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Toni Collette in Hereditary (2018)

Hereditary opens on the grieving Graham family. Annie, played by the phenomenal Toni Collette, has lost her mother and is trying to work her way through this loss with support groups and working on her artistic miniatures. Meanwhile, her husband, Steve (Gabriel Byrne) tries to maintain some semblance of normalcy with their son, Peter (Alex Wolff), and young daughter, Charlie (Milly Shapiro). But slowly everything begins to fall apart into a very dark place. Telling you any more about the plot would ruin the film and this is best viewed without any idea of what to expect.

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