October is finally upon us! It’s the time for cozy sweaters, making everything taste like pumpkin and, most importantly, horror films. Of course, sometimes it can be hard to decide what to watch, and if you are anything like me, one is never enough. That is why, for each week in the month of October, Much Ado About Cinema’s Monster Mash series is providing you with a double feature program and delving into why and how they go together like fava beans and a nice Chianti.
For our second Monster Mash, we’re delving into the power of television told through vaginals body horror in the horror classics Poltergeist and Videodrome.
Continue reading “Monster Mash: Televisual and Vaginal Body Horror in ‘Poltergeist’ and ‘Videodrome’”
Dear Much Ado readers, get ready to be listeners!
We’re so proud to share the first episode of our podcast with you. It’s been a year (and a month) since we opened Much Ado and we could never imagine how far we’d come in such a short time.
On our Patreon page we set a goal of $75 to start working on our podcast and this month we hit that goal, thanks to your help! Every time we gain a new Patron, we come one step closer to saving enough money to pay to our writers. You can help us with as little as $1.
Our first episode is about, as it should be on October 31st, Halloween! Podcast host Charlie Dykstal talks with our writers Mia Vicino, Mary Beth McAndrews and Tyler Llewyn Taing about horror films that scared them in childhood, jump scares and how cathartic horror films can be.
Listen to the first episode on iTunes, Spotify, Stitcher and Google Play. Don’t forget to subscribe for upcoming episodes and share your feedback with us on twitter or via e-mail at firstname.lastname@example.org.
On Halloween in 1978, Michael Myers came home. Now, 40 years later, he’s back again with a vengeance. One of the most iconic figures in horror history, Michael Myers is evil incarnate, a potentially supernatural figure who wants nothing more than to kill. However, there is a massive shift in the most recent addition to the Halloween franchise. Instead of focusing on this figure of evil incarnate, the film offers are poignant portrayal of trauma and its effects on both the survivor and their family. While showing plenty of disgusting kills, the focus falls away for Myers and onto the women of the Strode family.
Halloween takes place 40 years after the events of the 1978 Halloween. Director-writer David Gordon Green has erased all previous sequels in the Halloween canon, eliminating claims that Myers is Laurie’s brother and that he is some kind of supernatural figure. Don’t worry, the film makes plenty of crowd-pleasing allusions to the previous films. 40 years after the horrors enacted by Myers, Laurie Strode (Jamie Lee Curtis) is living in fear and isolation, with an estranged relationship with her daughter (Judy Greer) and granddaughter (Andi Matichak). Laurie’s preparations for Myers’ inevitable escape are not in vain; he breaks out, and he’s ready to terrorize Haddonfield yet again. You can expect a series of ridiculous and gory deaths, but also surprisingly touching and emotional moments between grandmother, mother, and daughter. Plus, John Carpenter returns to score the film, which is an added bonus. Continue reading “‘Halloween’ (2018) is an Effective and Gory Examination of the Lasting Effects of Trauma”
Coming-of-age stories are no stranger to the horror genre. The emotional turmoil, bodily transformations, and anxieties that come with teenage years are ripe for the horror picking, from Ginger Snaps to Raw. Sometimes, you think you’ve seen all the different variations of these stories. Then you see something new and exciting, something that blows your mind using a strange little puppet monster. My next recommendation for this month of horror is The Nightmare, or Der Nachtmahr.
The 2015 German film follows party girl Tina (Carolyn Genzkow) as she navigates a life of house music, drugs, boys, and anxiety. As the bass pumps ever louder and the lights never stop flashing, Tina loses herself in the music, a momentary reprieve from the pressures of being 17. However, she can’t escape for too long, because her fears take a physical form: a little gremlin creature with which she is mentally linked.
Continue reading “Halloween Horrors: Coming of Age and Little Monsters in ‘Der Nachtmahr’”
It’s Halloween month, arguably the best time of the year. As the leaves change to orange and a chill enters the air, it’s the perfect time to curl up with the lights off and watch your favorite horror movies, from Halloween to Trick’r’Treat. But this year, I’m challenging you to sprinkle something new into your Halloween watchlist. This month, I’ll be providing horror film recommendations for films that are by non-American filmmakers that haven’t received much critical attention. My first recommendation comes from Mexican filmmaker, Amat Escalante, with his 2016 sci-fi-horror film, The Untamed, or La región salvaje.
The Untamed follows three characters: Alejandra (Ruth Ramos), her husband, Ángel (Jesús Meza), and her brother, Fabián (Eden Villavicencio). Alejandra and Ángel are deeply unsatisfied with their marriage, one that has been built on necessity and secrets. They are short with each other and their sex life leaves something to be desired. An air of dissatisfaction permeates this film: dissatisfaction with relationships, with heteronormativity, with their ‘assigned’ roles in the household. But these dynamics are interrupted when a mysterious woman named Verónica (Simone Bucio) comes into the picture. She knows about something, something not from this world that can bring ultimate pleasure to anyone. The premise sounds like something out of a campy, 1980s B-horror film. But the attention to cinematography and the sympathy created for its characters make The Untamed something special and something truly odd.
Continue reading “Halloween Horrors: The Psychosexual Terror of ‘The Untamed’”
Staying in for Halloween this year? Gonna camp out in front of the television/computer with popcorn and pray you’re not disturbed by trick-or-treaters? Not sure which movie you should watch? Never fear, we’ve got you covered – and with recommendations from six different sub-genres, there’s something for all tastes in this list.
With special thanks to our guest contributor & full-time horror enthusiast Georgia, who can be found on twitter at @GeorgiaMaeSixx.
Psychological Horror Films
GEORGIA’S PICK: 1408 (2007, dir. Mikael Håfström)
1408 (2007) © Metro-Goldwyn-Mayer Studios Inc
It’s very hard to keep an audience captivated when the majority of your film is one actor in a single room, but John Cusack sells it. An unconventional story about a haunted hotel room with one of the most solid twists in recent memory, this film is definitely unsettling. Mike Enslin, a skeptic who writes about the ‘haunted’ locations he has stays in, decides to visit the eponymous room 1408 in The Dolphin hotel, and the fun ensues. The director successfully adapted the Stephen King short story whilst putting his own twist on it. The film does not rely on the grisly details or gore and instead goes for imagery that truly disturbs. Samuel L. Jackson also stars as the owner of the hotel and also delivers a strong and unnerving performance. The film also features three endings including the theatrical release so make sure to watch all three as they offer very different resolutions to the film.
Continue reading “12 Horror Movies You Should Definitely Check Out This Halloween”