It seems somewhat serendipitous that my final horror film recommendation for the month is Kuroneko, the most recent film I viewed on FilmStruck. Because of that streaming service, I was able to watch perhaps one of the most beautiful horror movies ever made and be seduced by its ghostly visuals. It is also a fascinating take on the rape-revenge film, a genre that seems to exclusively be grounded in Western cinema.
Kuroneko, or Black Cat, is about grief, suffering, revenge, and love. The film takes place is war-torn feudal Japan where young men are sent off to battle and rogue samurai roam the land. Two women, a mother and her daughter-in-law, are raped and murdered by said rogue samurai. However, a black cat appears, and brings them back to life as vengeful spirits who vow to drink the blood of every samurai in existence. This gets a bit complicated, however, when their son and husband, Gintoki, becomes a samurai. Continue reading “Halloween Horrors: Get Seduced by the Ghostly Eroticism of ‘Kuroneko’”
Coming-of-age stories are no stranger to the horror genre. The emotional turmoil, bodily transformations, and anxieties that come with teenage years are ripe for the horror picking, from Ginger Snaps to Raw. Sometimes, you think you’ve seen all the different variations of these stories. Then you see something new and exciting, something that blows your mind using a strange little puppet monster. My next recommendation for this month of horror is The Nightmare, or Der Nachtmahr.
The 2015 German film follows party girl Tina (Carolyn Genzkow) as she navigates a life of house music, drugs, boys, and anxiety. As the bass pumps ever louder and the lights never stop flashing, Tina loses herself in the music, a momentary reprieve from the pressures of being 17. However, she can’t escape for too long, because her fears take a physical form: a little gremlin creature with which she is mentally linked.
Continue reading “Halloween Horrors: Coming of Age and Little Monsters in ‘Der Nachtmahr’”
It’s Halloween month, arguably the best time of the year. As the leaves change to orange and a chill enters the air, it’s the perfect time to curl up with the lights off and watch your favorite horror movies, from Halloween to Trick’r’Treat. But this year, I’m challenging you to sprinkle something new into your Halloween watchlist. This month, I’ll be providing horror film recommendations for films that are by non-American filmmakers that haven’t received much critical attention. My first recommendation comes from Mexican filmmaker, Amat Escalante, with his 2016 sci-fi-horror film, The Untamed, or La región salvaje.
The Untamed follows three characters: Alejandra (Ruth Ramos), her husband, Ángel (Jesús Meza), and her brother, Fabián (Eden Villavicencio). Alejandra and Ángel are deeply unsatisfied with their marriage, one that has been built on necessity and secrets. They are short with each other and their sex life leaves something to be desired. An air of dissatisfaction permeates this film: dissatisfaction with relationships, with heteronormativity, with their ‘assigned’ roles in the household. But these dynamics are interrupted when a mysterious woman named Verónica (Simone Bucio) comes into the picture. She knows about something, something not from this world that can bring ultimate pleasure to anyone. The premise sounds like something out of a campy, 1980s B-horror film. But the attention to cinematography and the sympathy created for its characters make The Untamed something special and something truly odd.
Continue reading “Halloween Horrors: The Psychosexual Terror of ‘The Untamed’”