‘Sharp Objects’ Finale Recap

After eight weeks of building tension, making us hate Wind Gap, and giving us Amy Adams at her best, Sharp Objects has come to an end. Its shocking yet satisfying ending was the perfect conclusion to a show centered on trauma, being a daughter, mental illness, and memory.

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The finale plays out like a stressful horror movie as Camille and Amma fight to survive, all while clad in thin nightgowns that cling to their sweaty bodies. They are fragile dolls and Adora’s toys to play with, dress up, and torture. To confront her mother about the death of Marian, Camille lets Adora poison her. Adora accepts the task with ease, finally letting Camille enter her room, showering her with love and strange medicines. Adora grabs her tray of medicines like a serial killer pulling out his tray of torture devices, all while smiling that sickly sweet Adora smile. As she prepares Camille’s next dose, Alan mutters, “Don’t go overboard,” proving that he is in fact a human trash heap and has been enabling Adora’s toxic, murderous tendencies. You’ll have to watch the episode to see its final twist, but even having read the book, I gasped comically loud. All I’ll say is that Eliza Scanlen is an actor to watch in the coming years, delivering a devilish performance as Amma Crellin.

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‘Sharp Objects’ Recap: Falling

*Spoilers Ahead*

As the end of Sharp Objects approaches, I keep thinking there’s no way this show could get any more upsetting, raw, and tense. And each week, I’m proven wrong. In the penultimate episode to HBO’s limited series, the pain, cruelty, and suffering of each character seems to reach its peak.

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The episode begins with a surprisingly tender moment as Adora tries to take care of Camille after her night of partying with Amma. However, Camille is quick to reject such attention, pushing her away and refusing medicine from a rather large blue bottle. As Camille is leaving the house, she checks on a hungover Amma, who says, “You know what my favorite part of getting wasted is? Mama takes care of me after.” She also reveals that John is about to be arrested for the murders of Anne and Natalie. Camille rushes to John’s girlfriend’s house, while Richard, on the other hand, does his own investigation: This time, it’s into the death of Marian Crellin. As he speaks to nurses and reads old medical records, it becomes increasingly clear that Adora suffers from Munchausen by proxy, a disorder where a caretaker makes someone sick on purpose. There are not only records for Marian, but for Amma’s various hospitalizations. This is juxtaposed with Amma lying sick in bed, sweating, puking, trying to escape her mother’s medication.

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‘Sharp Objects’ Recap: Cherry

As Sharp Objects approaches its final episode, the tension, anxiety, and apprehension is becoming unbearable in a wonderfully captivating way. In episode six, “Cherry”, we learn that underneath the shiny and luscious outside of Wind Gap is a deep, dark pit. This episode confronts the shiny facade of Wind Gap’s domestic life and the angst that lies just beneath the surface.

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Episode six opens on three different groups waking up: Camille and Richard, Alan, and Chief Vickery. The two in particular that are in such stark contrast to one another are Alan and Chief Vickery. Alan wakes up on a pullout couch, where Adora has sequestered him. He starts his day alone, glimpsing a pile of vintage porn on the table. Alan is a symbol for hidden household dysfunction; while his wife and home appear perfect, he is pushed to another floor, to a bed that isn’t truly his. Then there is Vickery, who’s waking up sequence is almost exactly the same as in episode four. He has a set routine and a wife that cares for him. His unchanging routine is a breath of stability in a time of utter chaos. It’s a small sequence of events, but it speaks volumes about what happens behind closed doors despite the shiny airs put on to impress others.

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‘Sharp Objects’ Recap: Dirt

TW: SELF-HARM, ALCOHOLISM

As episode one ended with Natalie Keene’s death, episode two begins with her funeral. Here, Camille must finally show her face to the whole town in quite a public way, all while trying to report this story. We begin to see Camille battling memories and anxieties, not just associated with her mother, but with returning home to a town full of secrets and whispers. Episode two explores the toxicity and gossip of Wind Gap, the anxieties that arise when coming home and the destructive ways we cope with those anxieties.

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As Camille sits at the funeral, Jackie mutters a stream of gossip right into Camille’s ear, pointing out who is who in the family, remarking about Natalie’s brother crying too much, and more. Not even funerals are sacred in this town — in fact, this just throws more fuel on the gossip fire. The gossip only continues at the funeral reception in the Keene home. The whispers are amplified when Camille arrives, making you painfully aware that people are talking about her. It echoes the experience of returning home so well: you enter a crowded house, pretend to smile, but have a heightened sense of awareness as people stare too long or whisper behind their glasses. How does Camille cope? The drink, of course.

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