Best Films of 2018

2018 has been a wild year for film, from wildly entertaining sequels (see Mamma Mia: Here We Go Again and Paddington 2) to Yorgos Lanthimos’ latest in dry, yet tragic, humor to a horror film featuring tongue clicking, a nut allergy, and dead pigeons. It has been year for powerful women, both in front of and behind the camera, from the women of Annihilation to Crystal Moselle and her look into the world of women skateboarders. It has been a year to interrogate representations of masculinity, from Joe in You Were Never Really Here to Reverend Toller in First Reformed. It has been a year of terror, love, laughter, and exhaustion, both literally and cinematically. The films of 2018 truly captured the strange and turbulent atmosphere that has thrown us all into a state of near-constant anxiety.

The Much Ado team has relished in this anxiety, seeing many of 2018’s best, and worst films with the help of film festivals such as Cannes, NYFF, and BFI, MoviePass (RIP), and AMC Stubs A-List. After much deliberation, Letterboxd rankings, and last-minute trips to the cinema, we present Much Ado’s top 25 films of the year.

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IFFBoston ’18 Review: ‘First Reformed’

After the dark and dismal days of ‘The Canyons’ and ‘The Dying of the Light,’ writer-director Paul Schrader is back in a big way. “Return to form” may be the biggest cliché in film criticism, but I’m hard pressed to find a more apt description for ‘First Reformed.’ The religious drama, starring a superb Ethan Hawke as a small town chaplain living a solitary life following the death of his son, takes everything that makes ‘Taxi Driver’ and Schrader’s other work so fantastic—the psychological complexity, calculated risk-taking, and darkly humorous tension—and catapults it into a 21st century narrative with immediate, real-world consequence.

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Ethan Hawke in “First Reformed” © A24

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