The Triumph of Morally Ambiguous Women in ‘Line of Duty’

Why Do We Hate Morally Ambiguous Women On TV?
The portrayal of morally ambiguous women in television and film has never been particularly well-received by critics and audiences alike. Often, such a portrayal of women evinces misogynistic criticism, without much consideration for actually analysing characterisation, plot or themes. This special consideration seems to be solely reserved for the criticism of morally ambiguous male characters, who are afforded the luxury of being analysed as complex. In contrast, the criticism of morally ambiguous women eschews analysing the technicalities of characterisation altogether. Instead, this criticism is usually directed towards her gender and consequently, how she should behave as a woman within a specific cultural context. It seems that implicit in the word complex, is the de facto accepted face of the white, heterosexual male, whose race, gender, and sexuality no longer matter because they are the norm against which all marginalised groups are measured by. Only when these attributes (i.e. race, gender, sexuality) are backgrounded, can the technicalities of his characterisation be foregrounded and fleshed out in the wider context of criticism. Unfortunately, the rest of us aren’t so lucky. The marginalised are never complex. We are almost always negatively defined in relation to the norm, and that is a definition which lapses back into homogeneity and sameness. Complex is a word which denotes possibilities beyond what is universally accepted, and the idea of the beyond horrifies those in power who rely on the fixity and determinacy of essentialised categories like race, gender and sexuality.

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Female Film Writers to Watch

In the current climate, there’s been a major push for more women, especially women of color, in front of and behind the camera. The conversations about more women in film often leaves out women in film criticism or commentary, so what better way to round out Women’s History Month by recommending a few female film writers who happen to be some of my favorite writers.

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The Critics Interviews: Ty Burr

The Critics Interviews is a Much Ado series in which we interview film and cultural critics about the industry, social media, responsibilities of a critic and their advice for young writers.

Our second interview is with Ty Burr, author and film critic for The Boston Globe. Enjoy!

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The Critics Interviews: Hunter Harris

Here at Much Ado, as young and emerging critics, we are not only interested in writing our own criticism, but we’re also interested in critics, the job itself and the industry as a whole. Which is why I’m proud to announce we’re starting a new series called “The Critics Interviews” in which we will, as the name suggests, interview film, culture and industry critics. Our first interview is with one of the Much Ado team’s favourites, Vulture’s wonderful Hunter Harris. Enjoy!

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