The Legacy of Madonna in Three Films

In Desperately Seeking Susan, Madonna’s introduction comes in the first 3 minutes of the film; she is seen taking a selfie with a Polaroid, laying on the carpet of the hotel floor, surrounded by cards, while Urgent by Junior Walker is playing. The easiness of her charisma exudes throughout that scene. Until the film ends, all that I can think of is her, and how her presence is so palpable, you would feel the sharpness of what she is. That feeling tells me a lot, yet not so, about the woman I am about to see; be it in the film itself or in her consistent career.

First, a little background about Madonna. She used to be a dancer and even received a scholarship for it in Michigan, where she was born and raised. However, she decided to drop out of college and later moved to New York. Working as a waitress and dancing backup for Patrick Fernandez, however, didn’t feel right for her. She wanted to be more. So she decided to go on a solo act by the name given to her – Madonna.

Madonna is best described as an enigma. She is the ultimate icon, consists of all the great flairs of what makes a star, a star. She has that certain je ne sais quoi quality about her that makes her the epitome of the 1980s aesthetic that everyone strives for. Being the multifaceted woman that she is, we should all thank her for her role in the creation of the pop culture canon that we all know now. Dabbling in music, film, activism, lifestyle (Hard Candy Fitness or MDNA Skin anyone?), and anything else you could ever think of cannot be easy. If we set aside all the controversy that she is a master of, Madonna’s appeal as a star is broad, encompassing generation after generation, and leaving each of them a legacy of the Madonna of their own time.

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