This essay is by our guest writer, Levin Tan.
You could say that David Cronenberg is something of a Freudian fanboy.
His body of work is frequently dissected by esteemed film critics and scholars using psychoanalytic approaches, particularly with his early career horror films that plunge you into the visceral and the venereal. This is no surprise – after all, psychoanalysis carries a heavy emphasis on images and metaphors relating to sex and the body. However, when considering psychoanalysis from a modern day perspective, it is clear that it has its issues. We currently live in a time where sexuality and gender allow for fluidity, making Freud’s rigid adherence to the male-female binary appear rather stale. For Freud, the “male” is always antecedent to the “female”; as if consulting the story of Eve being born from Adam’s rib, so, too, did Freud view the female as a derivative of the male.