‘First Man’ is a Space Movie that Stays Grounded

Most movies about space are mammoth beasts. They’re epic, vast, an attempt to capture as much of the endless void as the lens can handle. It’s surprising then that for a film of this scale, it wouldn’t be entirely inaccurate to call First Man a small movie. We’ve always looked at the moon landing as a momentous achievement for humanity, but fail to look at the humans who made it possible. Damien Chazelle, in his follow-up to almost best picture winner La La Land, corrects this and then some – First Man is an immersive, exhausting ride, on a physical and emotional level.

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Istanbul Film Festival ’18 Review: Unsane

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The rise of iPhone films is upon us and despite what some might think (eg: real films are shot on film!), it is a good rise. Sean Baker’s “Tangerine” led the way and Steven Soderbergh is one of the directors to follow. It’s a method that will inspire young and financially limited filmmakers and as one myself, I am delighted by it. Shot secretly and in ten days, “Unsane” tells the story of Sawyer Valentini (played by the gorgeous, talented, showstopping, my celebrity crush-ahem- Claire Foy), who is involuntarily committed to a mental institution. As if that wasn’t enough, she is forced to face her greatest fear there, her stalker David (Joshua Leonard). But *drum rolls* is it really him, or just her imagination?

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