Most movies about space are mammoth beasts. They’re epic, vast, an attempt to capture as much of the endless void as the lens can handle. It’s surprising then that for a film of this scale, it wouldn’t be entirely inaccurate to call First Man a small movie. We’ve always looked at the moon landing as a momentous achievement for humanity, but fail to look at the humans who made it possible. Damien Chazelle, in his follow-up to almost best picture winner La La Land, corrects this and then some – First Man is an immersive, exhausting ride, on a physical and emotional level.
Continue reading “‘First Man’ is a Space Movie that Stays Grounded”
The rise of iPhone films is upon us and despite what some might think (eg: real films are shot on film!), it is a good rise. Sean Baker’s “Tangerine” led the way and Steven Soderbergh is one of the directors to follow. It’s a method that will inspire young and financially limited filmmakers and as one myself, I am delighted by it. Shot secretly and in ten days, “Unsane” tells the story of Sawyer Valentini (played by the gorgeous, talented, showstopping, my celebrity crush-ahem- Claire Foy), who is involuntarily committed to a mental institution. As if that wasn’t enough, she is forced to face her greatest fear there, her stalker David (Joshua Leonard). But *drum rolls* is it really him, or just her imagination?
Continue reading “Istanbul Film Festival ’18 Review: Unsane”