Last year, there was one film that seemed to take up almost all of the space in my head. For all the wonderful movies that came in 2017, none occupied my thoughts or meant more to me than one in particular – this was Luca Guadagnino’s masterful Call Me By Your Name, a film that I have written hundreds of adoring words on over the past ten months, and which I hardly felt I could do justice to in my work. I am not here, however, to revisit Call Me By Your Name but, rather, to discuss the film that appears to have had the same effect on me this year. Though we may only be in September, I doubt that I will find another feature in the coming months that will impact me as much as Desiree Akhavan’s The Miseducation of Cameron Post. Just as Guadagnino’s film gripped every part of me last year, so has Akhavan’s – her depiction of a young, gay woman’s battle with both herself and the cruelty of her environment is as heart-wrenching as it is witty, and feels to me as beautiful and as vital to queer cinema as Call Me By Your Name.
Continue reading “‘The Miseducation of Cameron Post’ – on Its Beauty, Its Bravery, and How Important It Is to Gay Women”
Alongside blockbusters, ABBA, and Disney nostalgia are plenty of female-directed films also hitting the big screen this summer. Here’s a list of all the women-helmed flicks coming out in June-August. All descriptions are from press materials and all release dates are U.S.
June 29 – WOMAN WALKS AHEAD dir. Susanna White
Woman Walks Ahead is a biographical film starring Jessica Chastain as Catherine Weldon, a 19th-century New York portrait painter who traveled to the Dakota Territory and became the confidante of legendary Sioux chief Sitting Bull (played by Michael Greyeyes). While serving as Sitting Bull’s secretary, interpreter, and advocate, she becomes embroiled in the Lakota peoples’ struggle over the rights to their land.
Continue reading “Summer 2018: Female Directors”
Despite the rise of LGBTQ+ films in recent years, films that revolve around young lesbians remain hard one to come by. This is why Desiree Akhavan’s second feature “The Miseducation of Cameron Post” has been one of the films I was most excited to see this year after it premiered at Sundance, where it won the Grand Jury Prize. It’s a film that perfectly balances comedy and drama; it is funny without being incongruous and is tragic without being exploitative.
Continue reading “Istanbul Film Festival Review ’18: The Miseducation of Cameron Post”