Mackenzie Davis is the Eye of the Storm in ‘Izzy Gets the F*ck Across Town’

This review is by our guest writer, Grace.

Chris Papierniak’s debut aims to be a hard-packed punch, but rather, is a flame that burns for too long – rising, subsiding, and threatening to fizzle out if not for its core performance. The pink-tinted dream sequence that opens the film seems ill-fitting and amateur, as does the narrative that’s been almost as roughly cut as our main character. Stylistically, there’s an evident attempt to appear more “punk rock” or “grunge” than is needed, but the film is certainly not a total loss. Mackenzie Davis’ lead turn as Izzy, our anti-heroine and the pulse of the film succeeds in knowing when to charge in and when to pull back, affecting the right tones and nuances of chaos.

Izzy is a mess. Reckless and aimless, she’s destroyed nearly all relationships in her life. The rest are hanging on by thin and ragged threads. An aspiring musician, her career has fallen to the wayside after her sister – played (and for too short a time) by the brilliant Carrie Coon – leaves their duo group. Broke and scrambling for shining pieces of her past as a performer and her past relationships, she curses, yells, schemes, and hustles her way the f*ck across town. She runs blindly, headfirst into the golden streets of LA, gambling with her friends and acquaintances, most of which are fed up with her antics or are about to be pushed to their limit of patience. Izzy wants to be a scrappy little somebody, but she’s really just scrappy as she wrecks her way through the day, marked in eight chapters with a ninth following (without any spoilers) the day’s conclusion.

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‘Avengers: Infinity War’ in Conversation

This past week has been an emotional rollercoaster for Marvel fans. 10 years, 19 films, and a lot of heroes have been leading us into Infinity War. Now that we’ve all seen, and grieved over the film, it’s time to talk about it. Much Ado writers talk about their favourite scenes, problems and most importantly, about Carrie Coon’s cameo, in conversation.

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