Much Ado’s Best Films of 2018 (So Far)

We may only be halfway through the year, but there have already been plenty of great movies to sink our teeth into. From slow-burn indie darlings to crowd-pleasing blockbusters, the past six months have provided something for all tastes, proving that we don’t have to be mid-awards season to experience great cinema. Check out the following 15 films that we think are the best of the best:

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Cannes 2018 Review: ‘Burning’

After an eight-year hiatus from directing, Lee Chang-dong has returned with Burning, a simmering mystery and social commentary on the growing income inequality in South Korea—among other, bigger problems. The film loosely borrows from Haruki Murakami’s short story “Barn Burning,” but its richly literate script is like a book all its own, bouncing from soliloquies on mortality and dissatisfaction, to scenes of tribal dancing, emotional sex, intense violence and silent contemplation. While the film occasionally stretches to connect these disparate elements—and struggles to keep the characters’ dense musings from sounding like words on a page— Burning is ultimately much greater than the sum of its parts, and all tedium is forgotten by its haunting conclusion.

Burning-de-Lee-Chang-dong-la-critique-Festival-de-Cannes
Jun Jong-seo in ‘Burning’

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What to Watch Out For at Cannes 2018

It’s almost that time of the year again. Red carpets are being prepared, critics are gathering their caffeine tablets, and social media is beginning to buzz about the latest and greatest films from across the world. Cannes Film Festival has always marked the film calendar with ingenuity and controversy alike, and this year is no different. Dramas this year include a return of Nazi-sympathiser Lars von Trier to the lineup after a supposed seven year ban, a long and exhausting battle with Netflix (in which nobody really won), and a lack of female directors in competition (a dismal 14%). On the other hand, the 3 Days at Cannes programme will allow 1000 young cinephiles access to one of the most exclusive film events of the year, the competition jury is majority women, and Cannes’ very first Kenyan feature – discussed below – will compete in the Un Certain Regard section. One step forward, two steps back.

Regardless of all this, we’re excited because Cannes always means one thing: fantastic films. In preparation for the festival, we’ve put together a short list of those premieres that we’re most keen to see.

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