The Heterosexual Coming Out Story: On ‘Love, Simon’ and ‘Boy Erased’

“I loved that”, said my friend after our screening of Love, Simon finished. The lights were coming up, ‘Aflie’s Song (Not So Typical Love Song)’ was playing over scrapbook style credits. She had been babbling since they started rolling. Her face was a portrait of the film we just watched, eyes red and puffy, mouth in a wide grin. “I loved that so much, I can’t wait to see it again”. I agreed. Love, Simon was easy to love. I wanted to see it again. And see it again I did, three more times in fact, and each with the same amount of joy.

Love, Simon is by all measures a crushingly average film. It is about as cliched as a high-school, coming-of-age, romance film can be. That’s what, in my mind at least, makes it so good. Prior to Love, Simon I had felt that while queer experiences had been depicted well in film, it was normally reserved for awards season or indie films­. When queerness was in the mainstream it was usually packaged for heterosexual audiences rather than being for the queer community – 2013’s GBF sticks out as prime example of this.

While this had been improving, 2016 and 2017 certainly saw queer films pushed further into the mainstream with Moonlight and Call Me By Your Name respectively, much of the press surrounding the latter sought to detract from the queerness. With two white male leads in an otherwise common love story its only unique factor to me seemed to be the queerness – yet efforts were made to detract from this queerness, with the film frequently being touted as a ‘universal’ love story.

For Love, Simon to be as average as it was while simply letting its protagonist be queer was nice. “Everyone deserves a great love story” ran the tagline. I wouldn’t call Love, Simon exceptionally great but the queer community was finally getting a middling high-school romance and that did feel great. It felt great because it felt normal – we were finally being treated as normal. Love, Simon seemed special considering that 2018 was year where many films with queer narratives fell into the same clichés of queer cinema past. From these films, Boy Erased sticks out to me as the most egregious example.

1.jpg

Where Love, Simon was focused on the future, Boy Erased was trapped in the past. The story of Jared (Lucas Hedges) is one that we have seen before multiple times, from the 1999 cult classic But I’m a Cheerleader to this year’s The Miseducation of Cameron Post (which tells the conversion therapy narrative with far more delicacy and emotion than Boy Erased).

Continue reading “The Heterosexual Coming Out Story: On ‘Love, Simon’ and ‘Boy Erased’”

Advertisements

Much Ado Pride 2018: Upcoming LGBTQ Films

Happy Pride to all our LGBTQ readers!

To celebrate Pride Month, here is a list of all the upcoming LGBTQ films you can expect to see on a cinema screen near you. All descriptions are from press materials.

  • June 8 – HEART BEATS LOUD dir. Brett Haley

The film follows Sam during her last summer at home before she leaves for UCLA. She lives with her father, Frank, who runs a record store in Brooklyn. Together, they bond while playing and writing music together in their living room. And Sam doesn’t let the impending cross-country move stop her from having a summer fling.

Starring: Nick Offerman, Kiersey Clemons, Sasha Lane, Toni Collette

Continue reading “Much Ado Pride 2018: Upcoming LGBTQ Films”

Most Anticipated Films of 2018

hbz-oceans-8-index2-1513352101

2017 was a crazy, whirlwind of a year for cinema, with great films that left us on the edge of our seats like Get Out and Dunkirk, but now it’s time to start thinking about the countless films we can’t wait to see in 2018. Especially as the 2018 Sundance Festival comes to an end, we can’t help to think 2018 could be another great year for film. Ranging from small, independent films to major Disney blockbusters, here are some of the films our staff desperately anticipating.

Continue reading “Most Anticipated Films of 2018”

The Future is Bright (And Gay): 8 LGBTQ+ Films to Look Out For in 2018

2017 was a fantastic year for LGBTQ+ cinema. From ‘Call Me By Your Name’ to ‘A Fantastic Woman’ to ‘Battle of the Sexes’ to ‘120 BPM’, both mainstream and independent films proved that the industry is developing rapidly in terms of its approach to sexuality and gender. 2018 looks set to continue this, with a number of upcoming films featuring LGBTQ+ themes. Though we’ll have to wait and see if this year can improve on the last, the future looks bright (and rainbow) if the following films are anything to go by.

Please note that reviews linked to in this thread may contain spoilers. 

 

The Miseducation of Cameron Post

MV5BMjI5NTQzNjA0Nl5BMl5BanBnXkFtZTgwMjA3MTgyNDM@._V1_SX1748_CR0,0,1748,999_AL_
Chloë Grace Moretz, Forrest Goodluck, and Sasha Lane in The Miseducation of Cameron Post. © Sundance Institute

Director: Desiree Akhavan

Cast: Chloë Grace Moretz, Sasha Lane, Jennifer Ehle, John Gallagher Jr., Forrest Goodluck

Release Date: 22nd January 2018 (Sundance Film Festival)

Premise: One of quite a few conversion therapy films this year, ‘The Miseducation of Cameron Post’ tells the story of a young woman (Chloë Grace Moretz) who, after being caught with the prom queen, is sent to a “de-gaying” camp by her conservative family. Though things will become much more clear after the film’s imminent Sundance debut, at the moment hopes are high – director Desiree Akhavan’s previous work includes the much treasured ‘Appropriate Behaviour’. The cast is also promising, with ‘American Honey’ breakout star Sasha Lane in her second cinematic appearance, and the always trustworthy Jennifer Ehle co-starring.

Continue reading “The Future is Bright (And Gay): 8 LGBTQ+ Films to Look Out For in 2018”