Examinations of masculinity are most interesting when viewed either through the female or gay male gaze as we have seen so little of this perspective in the context of the history of cinema. When women do get the opportunity to direct, they frequently, and completely understandably, focus on female protagonists, personal themes and coming-of-age stories. However, when they do turn their lens on a male protagonist, fresh insights can be brought and new truths revealed, through the objectivity of an ‘outsider.’
In Beach Rats (2017), director Eliza Hittman and cinematographer Helene Louvart closely follow Frankie (Harris Dickinson), a young man from Brooklyn who is wrestling with his sexuality. In Lazzaro Felice (2018), director Alice Rohrwacher and cinematographer Louvart (again) tell the story of gentle tobacco farmer Lazzaro (Adriano Tardiolo) in two halves; one in the summery, rural setting of the farm in Italy and then secondly in the cold city. The secondary character of the Marquise’s son, Tancredi provides a counterpoint to Lazzaro’s highly unusual brand of masculinity.
Continue reading “Portraying Masculinity Through the Lens of Two Cinematographers”
After delivering a series of awful originals this year, which include The Cloverfield Paradox, Mute, and The Kissing Booth, Netflix finally delivers with Alex Strangelove. A touching film that hits familiar John Hughes-esque territory, but delivers a raunchy, comedic and heartwarming story of self-discovery.
The film follows type-A nerd Alex Truelove (Daniel Doheny), as he navigates the “savage kingdom that is the modern American high school.” He meets Claire (Madeline Weinstein) and they become best friends, start their own web series, and eventually, they start dating. This is where the familiar “You’ll be the laughing stock of the school if you don’t lose your virginity!!” flashbacks kick in, and just like every teenager, Alex is going through the same pressure. But things get complicated when Alex meets the charismatic, gay Elliot (Antonio Marziale), who sends Alex down a rollercoaster of sexual discovery and acceptance.
Continue reading “Much Ado Pride 2018: ‘Alex Strangelove’ is a Netflix Original Worth Watching”
2017 was a year full of the celebration of female filmmakers. Patty Jenkins brought Wonder Woman to the big screen and proved to those still in doubt that women can make blockbusters! (Wow, can you believe?!) Dee Rees‘ Mudbound and Greta Gerwig‘s Lady Bird were nominated for Academy Awards! So to celebrate female filmmakers and Women’s History Month we’ll share with you some films that were directed by women that you might’ve missed. To not overwhelm you with all these great films, we’ll share them throughout the month! In honour of International Women’s Day, here is the first piece, we hope you enjoy and watch them all!
Continue reading “Films Directed by Women in 2017 that You Might’ve Missed (Part 1)”