The 14 year-old Marsai Martin has already captured the hearts of the masses as Diane on the ABC-hit sitcom Black-ish, and now she’s created a new vehicle to showcase her impressive talent in Little. Based on the concept of the 1988 film Big starring Tom Hanks, Little follows Jordan Sanders, played by the always wonderful Regina Hall, as she juggles the pressures of running a tech company and remaining successful. Unfortunately for her staff, which includes her assistant April played by Issa Rae, and anyone else she encounters, Jordan torments anyone in her path and disregards any sort of manners typically attributed to speaking to people after being bullied in school for being herself as a kid. Once she’s transformed into the little version of herself, introducing Martin, by a little girl she bullies, Jordan, with April’s reluctant help, must relearn the magic of being a child with plenty of laughs along the way.
Continue reading “Review: “Little””
Last Friday, Hulu released their latest show Shrill and it’s sure to be remembered as being one of the first, and hopefully not the last, of its kind. Co-created by Lindy West and Aidy Bryant and based on West’s book of the same name, Shrill follows Bryant as Annie, a plus-size woman living in Portland, Oregon as she embarks on a journey of loving her body and choosing herself in all facets of her life. The concept itself doesn’t seem anything new, since there is a generous amount of television dedicated to portraying women living their lives, overcoming insecurities, growing and making mistakes along the way. However, the portrayal of a fat woman who’s perfectly happy being fat that makes Shrill‘s ordinariness seem revolutionary.
Continue reading “‘Shrill’ Finally Lets Fat Women In Television Live Ordinary Lives”
The Criterion Channel’s latest movie is the 1970 film, Wanda, a film now appreciated as a masterpiece in American independent cinema. Directed, written, and starring the late Barbara Loden, Wanda follows the titular character through Pennsylvania as she faces difficulty at her every attempt to make a life for herself after divorcing her husband and losing custody of her children. She slowly walks around her Rust Belt town wearing her hair curlers for the first twenty minutes and offers a perfect introduction into the protagonist’s circumstances—her walk resembles not of someone aimless but of someone who has nowhere to go and no one to go to.
Continue reading “Criterion Reviews: ‘Wanda’”
The Oscars are trash this year but we’re still doing predictions because we’re trying to stay afloat of the twitter discourse. Free us from this cinematic prison and enjoy reading the winners our hearts desire, and those we think will snatch the award!
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With an all-star cast that includes Matthew McConnaughey, Anne Hathaway and Diane Lane, it could be understandably assumed that Serenity would be a hit. Set on the strange island of Plymouth, McConnaughey plays the oddly named Baker Dill, a fisherman down on his luck, missing every opportunity to catch a tuna fish he decides to name Justice. Dill struggles to keep himself afloat with few employment opportunities available when his ex-wife and mother of his son, Karen, played by Hathaway, pays him a visit with a criminal proposal: kill her abusive husband for ten million dollars. Despite a cast full of Oscar winners and nominees, the Steven Knight-written and directed film disappoints tremendously.
Continue reading “‘Serenity’ Can’t Rise Above the Surface”
Second episode of the podcast is here!
On our Patreon page we set a goal of $75 to start working on our podcast and last month we hit that goal, thanks to your help! Every time we gain a new Patron, we come one step closer to saving enough money to pay to our writers. You can help us with as little as $1.
In our second episode podcast host Charlie Dykstal talks with our editor-in-chief Dilara Elbir, editors Mary Beth McAndrews, Cassidy Olsen and staff writer Sydney Bembry about holiday films and specials. Available on iTunes, Spotify, Google Play and Stitcher.
Happy holidays everyone!
After high praise from critics and audiences alike for Ryan Coogler’s Creed, the film series is back with a new director, Steven Capel Jr. Michael B. Jordan returns as Adonis Creed, a respected boxer, whose position, and confidence, wavers with a challenge from Viktor Drago, the son of the man who killed his father, Ivan Drago. With the Drago’s return to the franchise, Adonis’ history has caught up with him and he must reconcile with the conflicted feelings the challenges provoke as his life rapidly changes.
Continue reading “‘Creed II’ Lacks Its Predecessor’s Punch”