‘Sharp Objects’ Recap: ‘Vanish’

TW: SELF-HARM, ALCOHOLISM

Any project that includes Amy Adams rightfully garners great attention, but this time, audiences can be graced with the actress’s talent in their homes each week in HBO’s latest limited series, Sharp Objects. Based on Gillian Flynn’s novel of the same name, the premiere follows Camille Preaker, a reporter based in St. Louis, as her boss sends her back to her hometown of Wind Gap to cover the investigation of a murdered girl and a missing girl. Starting the first scene of the series with Camille being awakened by her younger self sets the haunting tone. Before we are introduced to the protagonist, it’s made known that she has demons that follow her, even in events that are supposed to be peaceful. Her editor obviously cares for her and believes this assignment will be good for the newspaper and Camille — personally and professionally. For Camille, however, it seems like a grave choice to return home and be reunited with her mother. She plays her music through her cracked phone — alluding to the show’s title — heavily drinks vodka throughout the day in a deceiving water bottle, and doesn’t interact much with other people. She’s broken — for unknown reasons as of yet — and she seems to accept this as her dark reality.

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Much Ado’s Best Films of 2018 (So Far)

We may only be halfway through the year, but there have already been plenty of great movies to sink our teeth into. From slow-burn indie darlings to crowd-pleasing blockbusters, the past six months have provided something for all tastes, proving that we don’t have to be mid-awards season to experience great cinema. Check out the following 15 films that we think are the best of the best:

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‘The Tale’ is a Brave Story of the Mind’s Power to Shield Us from Trauma

Sometimes, before watching a new film, there’s a murky feeling that it’s going to be an intense experience. The Tale is one of those films. The HBO film follows Jennifer, played by Laura Dern, as she is forced to revisit the circumstances of her first “relationship” with an older man as a child after her mother discovers a story written by her younger self. If the premise isn’t powerful and sensitive enough, the film is based on the story written by the writer-director Jennifer Fox’s younger self at the time of her abuse. Primarily because of its plot, the film is not particularly “entertaining,” at moments even difficult, but it’s so powerful that it’s a must-watch.

The Tale

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’13 Reasons Why’ Season 2: Review

Netflix’s thought-provoking and controversial series, 13 Reasons Why, returned for a second season after its popular first. In the premiere season, the thirteen episodes were structured around the thirteen taped recordings the late Hannah Baker, played by Katherine Langford, left behind before committing suicide, each explaining why thirteen of her peers receiving the tapes were the reason she decided to take her life. This time around, there are no more structurally-convenient tapes and the show uses the testimonies made during the case surrounding Hannah’s death as the new guide. The latest episodes do a great job of encapsulating where each character ends up following the aftermath of discovering the tapes and Hannah’s death, but major missteps take away more attention.

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’13 Reasons Why’ © Netflix

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‘Avengers: Infinity War’ in Conversation

This past week has been an emotional rollercoaster for Marvel fans. 10 years, 19 films, and a lot of heroes have been leading us into Infinity War. Now that we’ve all seen, and grieved over the film, it’s time to talk about it. Much Ado writers talk about their favourite scenes, problems and most importantly, about Carrie Coon’s cameo, in conversation.

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Classic Film 101

Classic films can be a bit daunting when you don’t know where to start. French New Wave? Italian Neorealism? German Expressionism? What do they all mean? Sometimes you don’t need to jump in the deep end with the 6-hour epics — there are classic films that are just as accessible as those made today, with the added bonus of operating as an easy gateway into the world of classic film. All it takes is that one movie — so we asked our regular writers: What film got you into classics?

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Tribeca ’18 Roundup

As the Tribeca Film Festival comes to an end, here’s my take on a few films I was fortunate enough to see. And since it was the first major festival I’ve covered, it shouldn’t be surprising that I was constantly in an “OMG this is really happening! Where am I?” mental state. So, to keep you all up-to-date on the experience, I offered some insight into my scatter brain throughout the festival.

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‘Mary Shelley’ © Focus Features

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