Let’s be honest. The main appeal of Greta is to see our girl Isabelle Huppert do what she does best: snap. Despite the film’s numerous issues, the ticket price is in fact well-worth the opportunity to bask in the unbridled power of one of the greatest working actresses viciously flipping a restaurant table over in response to getting ghosted (i.e. snap). And that’s just the beginning, baby!
The inaugural Criterion Channel pick for the first week of February was writer/director Elaine May’s 1976 Mikey and Nicky, a character-driven “Guys Bein’ Dudes” gangster drama. Taking place over the span of a single night, the film opens in classic 70s style with a shifty-eyed Nicky (auteur dreamboat John Cassavetes) alone in a hotel room, clinging to a gun and lighting a cigarette. He’s a small-time bookie who’s just stolen money from the mob, and he’s waiting for his childhood friend, Mikey (Peter Falk), to save him from a panic-induced ulcer attack.
When Mikey arrives, he holds Nicky while he sobs, then lies him down flat on his back to force-feed him an antacid. “Nick, I know you for 30 years. You call me up on that phone, you say ‘Come right away,’ in that voice, I bring Gelusil,” he says calmly before chewing one himself in solidarity. It’s a brilliant hook that establishes the best friends’ characterizations perfectly: Mikey is steady and paternal while Nicky is neurotic and vulnerable. And you just know their story is gonna end with a gut-shot.
The Oscars are trash this year but we’re still doing predictions because we’re trying to stay afloat of the twitter discourse. Free us from this cinematic prison and enjoy reading the winners our hearts desire, and those we think will snatch the award!
This week’s Criterion Channel selection is Tony Richardson’s Tom Jones, a 1963 adventure-comedy set in 1700s England and executed in the style of early 1900s swashbuckler films. Whew! Born out of wedlock, the titular character (Albert Finney) grows into a charming young man and falls in love with the upper-class Sophie Western (Susannah York), whom he cannot marry because he is not of royal descent. Yup, it’s the standard formula for a period piece romance!
Third episode of the podcast is here!
On our Patreon page we set a goal of $75 to start working on our podcast and two months ago we hit that goal, thanks to your help! Every time we gain a new Patron, we come one step closer to saving enough money to pay to our writers. You can help us with as little as $1.
In our third episode podcast host Charlie Dykstal talks with our editor-in-chief Dilara Elbir, editor Mary Beth McAndrews and staff writer Mia Vİcino about their favourite films and performances of 2018 and what they are looking forward to in 2019. Available on iTunes, Spotify, Google Play and Stitcher.
Happy awards season everyone!
Here it is, the season we all hate to love and love to hate, the Awards Season! Predictions, staying up to watch awards, fighting our favourites until the Oscars when our exhaustion reaches its peak and we all go “I never want to live through another season again!” until the festivals hit and Here We Go Again! Critics circles already started naming their winners but the fun officially starts tonight with Golden Globes. Here at Much Ado we love our predictions so please enjoy reading the winners our hearts desire, and those we think will snatch the award!
Like the rest of the Internet, we here at Much Ado About Cinema are mourning the tragic loss of streaming service FilmStruck. Yesterday morning, Warner Bros. gave the beloved site a terminal diagnosis, with the plug officially being pulled on November 29. This means we only have about a month to cram as many Criterions into our cinephilic eyeballs as possible.