From Yorgos Lanthimos’ highly-anticipated The Favourite to Greta Gerwig’s star-studded interpretation of Little Women, 2018 will be the year of period pieces. In anticipation of these films, the Much Ado crew has put our heads together and shared some of our favorite period pieces. They span genres, directors, and countries, but one thing is for sure: We are a group who loves a good period piece.
Atonement (2007) dir. Joe Wright
I’m not here to introduce you to a hidden gem of historical fiction about a marginalized population or oft-ignored perspective – I’m here to talk about Atonement. Yes, the Ian McEwan adaptation starring Keira Knightley and directed by Joe Wright. The combination of those three names yields a period piece so period piece-y, it’s quintessential genre viewing.
This movie’s got everything: war-torn lovers, smoking parlors, sexual tension, an evil chocolatier played by Benedict Cumberbatch, family secrets, precocious Saoirse Ronan, dramatic deaths, and betrayal. Set against the backdrop of the First World War, Atonement follows the sweeping love story of beautiful, snobbish Cecilia and working class Robbie, played by Keira Knightley with a jaw so sharp it could kill a man and boy-next-door James McAvoy, respectively. Saoirse received her first Oscar nomination for her role as Cecilia’s incredibly annoying theater kid sister Briony (or at least that’s how I viewed her when I first saw the film as a preteen). But most of the gooey, decadent drama of the film draws itself from everything but the acting.
Continue reading “Let’s Go Back In Time: Much Ado’s Favorite Period Pieces”
When Stanley Kubrick’s 2001: A Space Odyssey first opened in 1968, critics and general audiences were immediately polarized. Upon its premiere, a Variety review boldly stated, “2001: A Space Odyssey is not a cinematic landmark.” Others argued that it only broke even at the box office because of the time period’s affinity for dropping acid and lapping up that righteously trippy last 20 minutes.
It is now 50 years later, and 2001 is hailed as one of the most influential films in the history of cinema. Christopher Nolan’s restored 70mm print is making the rounds in the United States, coming to my home state of Oregon. The fervent popularity of the hallucinogenic LSD has been replaced with a proclivity for the psychoactive, and much safer, THC. And that happens to be very, very legal here. In fact, the announcer at the Hollywood Theatre in Portland joked, “Have you all ingested your edibles?” before the screening began (Yes. Yes I had). In short, times have changed.
Continue reading “Under the Influence of ‘2001: A Space Odyssey’”
In a world inundated with films about angsty artists rebelling against their more traditional parents, Hearts Beat Loud is the breath of fresh air that we didn’t even know we needed. Yes, it’s another entry into the, “‘You’re giving up on your dream.’ ‘No, Dad. I’m giving up on yours,’” film canon, but with a welcome twist: 18-year-old Sam (Kiersey Clemons) wants to attend UCLA for medical school and her father, record shop owner Frank, wants her to stay in New York and start a band with him. Frank (Nick Offerman) is the quintessential goofy dad, pulling his daughter away from studying so they can “jam sesh.” He plays an old guitar, and she plays a keyboard hooked up to a Macbook; he represents old school rock, and she represents contemporary pop. Together, they make an unlikely songwriting duo called “We Are Not A Band.”
Continue reading “‘Hearts Beat Loud’ is the Saccharine, Sapphic Smash of the Summer”
We may only be halfway through the year, but there have already been plenty of great movies to sink our teeth into. From slow-burn indie darlings to crowd-pleasing blockbusters, the past six months have provided something for all tastes, proving that we don’t have to be mid-awards season to experience great cinema. Check out the following 15 films that we think are the best of the best:
Continue reading “Much Ado’s Best Films of 2018 (So Far)”