This week’s Criterion Channel selection is Tony Richardson’s Tom Jones, a 1963 adventure-comedy set in 1700s England and executed in the style of early 1900s swashbuckler films. Whew! Born out of wedlock, the titular character (Albert Finney) grows into a charming young man and falls in love with the upper-class Sophie Western (Susannah York), whom he cannot marry because he is not of royal descent. Yup, it’s the standard formula for a period piece romance!
February marks the beginning of Women In Horror Month, an event created to celebrate the amazing women working in the genre, from directors and producer to the iconic scream queens. Despite what certain horror producers may think, there are a plethora of talented and demented women creating diabolically poignant pieces of horror cinema. In a genre that is so often described as misogynistic and exploitative, it can seem easy to dismiss it and not address its long history of interrogating societal fears. But, women have been working against, and sometimes with, those conventions just as long as any man.
To help you celebrate all month long, we’ve compiled a list of 10 horror films directed by women to put on your watch list. But don’t confine your honoring of women in horror to just February; they deserve your attention and support all year long.
American Psycho, dir. Mary Harron
Everything superficial about American Psycho appeals to the kind of masculine, wide-eyed, dorm room energy of boys of a certain age—its sleek quotability, retro aesthetic, sardonic wit, and extreme violence are all, well, pure Bret Easton Ellis, literature’s resident teenage boy. And while Ellis may have crafted his tale of a absurd Wall Street serial killer with his own anger and transgressive style in mind, director Mary Harron grants her film adaptation of the novel with a entirely different, yet no less fascinating lens through which to view the world of Patrick Bateman. And who better to craft a killer of women than a woman herself?
American Psycho might be funny—scratch that, it’s hilarious—but the horror grows with each passing frame, building in Bateman’s victims on screen, building in us, and building in the character himself as reality starts to slip away. The film’s germane, eerie satire of American capitalism and wealth only deepen some truly terrifying sequences of murder and mutilation that speak to the horrors of misogyny and power. Yet so much of that depth owes itself to Harron’s camera, which doesn’t linger on these women’s bodies and ask us to revel in their destruction, but rather remains tight on Christian Bale’s face, clothes, hands—the apathetic instruments of a society that values nothing but money.
Okay, this is starting to sound like more dorm room analysis, but it only takes one good watch to enthralled by this movie for a lifetime. Come for the controversy, stay for the cultural commentary, and return time after time for “I have to return some video tapes.”
Third episode of the podcast is here!
On our Patreon page we set a goal of $75 to start working on our podcast and two months ago we hit that goal, thanks to your help! Every time we gain a new Patron, we come one step closer to saving enough money to pay to our writers. You can help us with as little as $1.
In our third episode podcast host Charlie Dykstal talks with our editor-in-chief Dilara Elbir, editor Mary Beth McAndrews and staff writer Mia Vİcino about their favourite films and performances of 2018 and what they are looking forward to in 2019. Available on iTunes, Spotify, Google Play and Stitcher.
Happy awards season everyone!
2018 has finally come to an end. Despite the political hellfire it raged for its 365-day duration, 2018 brought us films like Shoplifters, Roma, Cold War, The Rider, and Revenge (you can check out all of our favorites of 2018 here). It was a year for badass women on screen. It was a year for horses. But, it was also a year that brought us disappointments and tragedies, such as Green Book and Bohemian Rhapsody, who both won Golden Globes.
Despite that tragedy, 2019 still holds a treasure trove of cinema, from Godzilla: King of the Monsters and Star Wars: Episode IX to High Life and Jojo Rabbit. Jordan Peele is releasing another horror movie, Edward Cullen is going to space, Isabelle Huppert is going to try and kidnap Chloe Grace Moretz. That’s just a taste of what this year will bring to the big (and sometimes small) screens.
Without further ado, here are our most anticipated films of 2019.
Here it is, the season we all hate to love and love to hate, the Awards Season! Predictions, staying up to watch awards, fighting our favourites until the Oscars when our exhaustion reaches its peak and we all go “I never want to live through another season again!” until the festivals hit and Here We Go Again! Critics circles already started naming their winners but the fun officially starts tonight with Golden Globes. Here at Much Ado we love our predictions so please enjoy reading the winners our hearts desire, and those we think will snatch the award!
Dear Much Ado readers, get ready to be listeners!
We’re so proud to share the first episode of our podcast with you. It’s been a year (and a month) since we opened Much Ado and we could never imagine how far we’d come in such a short time.
On our Patreon page we set a goal of $75 to start working on our podcast and this month we hit that goal, thanks to your help! Every time we gain a new Patron, we come one step closer to saving enough money to pay to our writers. You can help us with as little as $1.
Our first episode is about, as it should be on October 31st, Halloween! Podcast host Charlie Dykstal talks with our writers Mia Vicino, Mary Beth McAndrews and Tyler Llewyn Taing about horror films that scared them in childhood, jump scares and how cathartic horror films can be.
Listen to the first episode on iTunes, Spotify, Stitcher and Google Play. Don’t forget to subscribe for upcoming episodes and share your feedback with us on twitter or via e-mail at firstname.lastname@example.org.
Since November 2016, there has been this swirling pit of rage that permanently resides in the center of my heart, nestled just below the aortic arch. Sometimes it is quiet, like the beach at low tide in the middle of the night, gently ebbing and licking the sand. On days like today, when a sexual abuser is appointed to the highest level of justice, it is an electric maelstrom. More inflamed and unyielding than the Great Red Spot on Jupiter. Stay out of my way; I’m out for blood.
But many other women have written more eloquently about this topic than I could ever hope to, so I will let cinema speak for me. Here are seven films of varying genres (most written or directed by women) that deftly provoke rage against our broken system while simultaneously inspiring that passion for a better world for women and survivors, many of whom overlap.
1. Shut Up and Sing (2006) dir. Barbara Kopple and Cecilia Peck
“Just so you know, we’re on the good side with y’all. We do not want this war, this violence, and we’re ashamed that the President of the United States is from Texas.”
After Dixie Chicks lead singer Natalie Maines made this offhand statement at a 2003 concert in London, the vehement backlash from the American country music community nearly ended the trio’s career. Kopple and Peck’s intimate documentary chronicles the aftermath of the incident, including the conception of their 2006 comeback song, “Not Ready To Make Nice.” Their country ballad demonstrated their daring refusal to apologize, denounced the death threats these women received for critiquing their government, and found success as a three-time Grammy award-winning bop!